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This Element applies a new version of liberalism to international relations (IR), one that derives from the political theory of John Locke. It begins with a survey of liberal IR theories, showing that the main variants of this approach have all glossed over classical liberalism's core concern: fear of the state's concentrated power and the imperative of establishing institutions to restrain its inevitable abuse. The authors tease out from Locke's work its 'realist' elements: his emphasis on politics, power, and restraints on power (the 'Lockean tripod'). They then show how this Lockean approach (1) complements existing liberal approaches and answers some of the existing critiques directed toward them, (2) offers a broader analytical framework for several very different strands of IR literature, and (3) has broad theoretical and practical implications for international relations.
This book challenges the traditional view that meaningful analogies cannot be drawn between domestic and international politics. Alexandru V. Grigorescu shows that there are important parallels to be drawn across these two realms, if political interactions among states over the past two centuries are compared to those within states going back about a thousand years. He focuses specifically on the evolution of institutions that restrain concentrated power, such as courts, assemblies, and bureaucracies. Restraining Power through Institutions begins by developing a set of theoretical arguments about the emergence, change, and consolidation of institutional restraints on power. These are primari...
Challenges tradition to show how developments in international relations repeat themselves; we may soon experience a return to past trends.
This work shows that, over the past two centuries, international organizations have adopted "more democratic" decision-making rules. Grigorescu extensively investigates fair participation, fair voting, access to information, participation of non-governmental organizations and parliamentary oversight, using archival and secondary sources from organizations as diverse as the League of Nations and the World Bank.
This is the first comprehensive study of how different ethical traditions deal with the central moral problems of international affairs. Using the organizing concept of a tradition, it shows that ethics offers many different languages for moral debate rather than a set of unified doctrines. Each chapter describes the central concepts, premises, vocabulary, and history of a particular tradition and explains how that tradition has dealt with a set of recurring ethical issues in international relations. Such issues include national self-determination, the use of force in armed intervention or nuclear deterrence, and global distributive justice.
Explains how actors control access to international resources, creating a stratified international system of political equals and unequals.
Ion Grigorescu is one of the seminal visual artists of his generation in Eastern Europe. In recent years, his complex body of work has attracted increasing attention in the West, entailing a reading of his oeuvre through the prism of canonized Western art histories. This first English edition of his diaries from the crucial years of 1970 to 1975 is a small literary and art-historical sensation. It not only corrects the facile reading of Grigorescu's practice in the context of Conceptual art and performance, but provides insight into the artist's multifocal thinking, which incorporates an original critique of modernism, the dystopian effects of an instrumentalized idea of reason and rationali...