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First Proofs of the Universal Catalogue of Books on Art,.
  • Language: en
  • Pages: 1042

First Proofs of the Universal Catalogue of Books on Art,.

  • Categories: Art
  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

None

The Beast in the Boudoir
  • Language: en
  • Pages: 212

The Beast in the Boudoir

Kathleen Kete's wise and witty examination of petkeeping in nineteenth-century Paris provides a unique window through which to view the lives of ordinary French people. She demonstrates how that cliché of modern life, the family dog, reveals the tensions that modernity created for the Parisian bourgeoisie. Kete's study draws on a range of literary and archival sources, from dog-care books to veterinarians's records to Dumas's musings on his cat. The fad for aquariums, attitudes toward vivisection, the dread of rabies, the development of dog breeding—all are shown to reflect the ways middle-class people thought about their lives. Petkeeping, says Kete, was a way to imagine a better, more m...

The Restoration of Engravings, Drawings, Books, and Other Works on Paper
  • Language: en
  • Pages: 320

The Restoration of Engravings, Drawings, Books, and Other Works on Paper

Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati

The First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1160

The First Proofs of the Universal Catalogue of Books on Art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

None

The Breathless Zoo
  • Language: en
  • Pages: 271

The Breathless Zoo

"A cultural and poetic analysis of the art and science of taxidermy, from sixteenth-century cabinets of wonders to contemporary animal art"--Provided by publisher.

The First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1034

The First Proofs of the Universal Catalogue of Books on Art

  • Categories: Art

Reprint of the original, first published in 1870.

The Crossroads of Justice
  • Language: en
  • Pages: 260

The Crossroads of Justice

  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: BRILL

An analysis of the cultural and social functions of law, legal processes and legal rituals in late medieval northern France. It interprets the various influences upon the shaping of law as a cultural manifestation and its application as an actual system of justice.

The Nature of Tomorrow
  • Language: en
  • Pages: 248

The Nature of Tomorrow

An examination of how Western visions of endless future growth have contributed to the global environmental crisis "This book does something that is worth doing and that no other scholarly book I know of comes close to doing: tracing the history of imagined environmental futures in the Western world."--William Meyer, Colgate University For centuries, the West has produced stories about the future in which humans use advanced science and technology to transform the earth. Michael Rawson uses a wide range of works that include Francis Bacon's New Atlantis, the science fiction novels of Jules Verne, and even the speculations of think tanks like the RAND Corporation to reveal the environmental paradox at the heart of these narratives: the single-minded expectation of unlimited growth on a finite planet. Rawson shows how these stories, which have long pervaded Western dreams about the future, have helped to enable an unprecedentedly abundant and technology-driven lifestyle for some while bringing the threat of environmental disaster to all. Adapting to ecological realities, he argues, hinges on the ability to create new visions of tomorrow that decouple growth from the idea of progress.