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Profile by a legendary conductor and performer explores the composer's works and concert performances plus his roles as teacher and Polish nationalist, relationships with Liszt and Sand, chronic illness, and tormented, sensitive nature.
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This edition is comprised of 86 different technical exercises composed by Liszt during 1868 to 1880. Liszt intended these highly challenging exercises to build greater performance skills in virtuoso pianists. The complete series consists of twelve volumes, each one dealing with a different pianistic problem. This edition has been compiled from the original set to present the exercises in a reasonable length without harming the essence and effectiveness of the original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Profile by a legendary conductor and performer exploresthe composer's works and concert performances plus hisroles as teacher andPolish nationalist, relationships withLiszt andSand, chronic illness, andtormented, sensitive nature."
An acclaimed multi-volume treatise presents precise and creative exercises for serious painists and teaches technique, pedaling, fingering, and other methods.
The German occupation of France from 1940 to 1945 presented wrenching challenges for the nation's artists and intellectuals. Some were able to flee the country; those who remained—including Gide and Céline, Picasso and Matisse, Cortot and Messiaen, and Cocteau and Gabin—responded in various ways. This fascinating book is the first to provide a full account of how France's artistic leaders coped under the crushing German presence. Some became heroes, others villains; most were simply survivors. Filled with anecdotes about the artists, composers, writers, filmmakers, and actors who lived through the years of occupation, the book illuminates the disconcerting experience of life and work within a cultural prison. Frederic Spotts uncovers Hitler's plan to pacify the French through an active cultural life, and examines the unexpected vibrancy of opera, ballet, painting, theater, and film in both the Occupied and Vichy Zones. In view of the longer-term goal to supplant French with German culture, Spotts offers moving insight into the predicament of French artists as they fought to preserve their country's cultural and national identity.