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Lyra Frivola
A.D. Godley's 'Lyra Frivola' is a collection of whimsical and satirical poems that playfully explore various facets of society and human nature. The poems are written in a light-hearted and witty style, reminiscent of the classical satirical works of Horace and Juvenal. Through clever wordplay and sharp observations, Godley sheds light on the absurdities and ironies of everyday life, inviting readers to reflect on deeper truths hidden beneath the surface of his humorous verses. 'Lyra Frivola' stands out as a unique blend of humor and insight, making it a delightful read for those who appreciate wit and satire in poetry. As a classicist and linguist, A.D. Godley brings a wealth of knowledge and expertise to his writing, infusing his poems with a depth of understanding and a keen eye for detail. His background in classical languages and literature undoubtedly influenced the themes and style of 'Lyra Frivola', making it a compelling and thought-provoking work for readers interested in exploring the intersection of ancient and modern literary traditions. Overall, 'Lyra Frivola' is a must-read for poetry enthusiasts looking for a fresh and entertaining take on timeless themes.
Herodotus
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The Imagination of Plants
Plants have a remarkable mythology dating back thousands of years. From the ancient Greeks to contemporary Indigenous cultures, human beings have told colorful and enriching stories that have presented plants as sensitive, communicative, and intelligent. This book explores the myriad of plant tales from around the world and the groundbreaking ideas that underpin them. Amid the key themes of sentience and kinship, it connects the anemone to the meaning of human life, tree hugging to the sacred basil of India, and plant intelligence with the Finnish epic The Kalevala. Bringing together commentary, original source material, and colorful illustrations, Matthew Hall challenges our perspective on these myths, the plants they feature, and the human beings that narrate them.
F.C.S. Schiller and the Dawn of Pragmatism
The intellectual history of pragmatism traditionally posits that its origins are found in the works of C. S. Peirce, William James, and John Dewey. What if that story is only partially true? Ferdinand Canning Scott Schiller, the foremost first generation British pragmatist, was one of the most vocal proponents of pragmatism in the late 1800s and early 1900s. He penned over a dozen books, authored hundreds of essays and reviews, and sought to popularize the philosophy of practicalism. Yet in the years before and after his death, both he and his critics engaged in arguments that helped to erase him from the story of pragmatism. F. C. S. Schiller and the Dawn of Pragmatism: The Rhetoric of a Ph...
The Persian Wars
Herodotus, the great Greek historian, wrote this famous history of warfare between the Greeks and the Persians in a delightful style. Herodotus portrays the dispute as one between the forces of slavery on the one hand and freedom on the other. This work covers the rise of the Persian influence and a history of the Persian empire, a description and history of Egypt, and a long digression on the landscape and traditions of Scythia. Because of the comprehensiveness of this work, it was considered the founding work of history in Western literature. A must-have for history enthusiasts.
Isaac
Throughout his life, Isaac remained a passive tent dweller. He did not go to find a wife; his servant brought a wife to him. He did not go to war; and when conflict arose, he withdrew. In the story of his binding, he was passive, and it appears as though he was bound forever on the altar. Isaac was dominated by his father Abraham, his wife Rebecca, Abimelech king of Gerar, and his sons Jacob and Esau. For most of his life, he is led by others, and his actions are reactions to the developing situations. He appears to have little personality and is better known as the son of his father Abraham, or the father of his sons Jacob and Esau.
The Commentaries of D. García de Silva y Figueroa on his Embassy to Shāh ʿAbbās I of Persia on Behalf of Philip III, King of Spain
The Commentaries is the first complete English language translation, with complete annotations, of a unique and extraordinary memoir from the pen of the erudite Spanish soldier-diplomat D. García de Silva y Figueroa over the course of his embassy to Persia (1614–1624). The Commentaries transcend the travel-literature genre, emerging as a precocious European intellectual global history that is remarkable for its encyclopedic breadth, its historical depth, and its ethnographic and even artistic sensitivity. The Commentaries will be of interest to historians, ethnographers, and literary critics, or anyone with an interest in early modern European accounts of the encounter between the Portuguese and Spanish Empires and Safavid Persia during the early modern period.
God (in) Acts
The Acts of the Apostles reveals a God at work. However, what do God's actions reveal about God's character? This question drives the present study, whose ultimate goal is to discover what portrayal Acts constructs of God through God's actions. Aarflot demonstrates how Jesus's ascension and the development of the gentile mission prove key to Acts' distinctive portrayal of God. The study explores what happens to the characterization of God when Jesus's character comes to resemble God through the ascension, noting in particular the effect of ambiguous language that might refer to either God or Jesus on the portrayal of God. It also considers how Acts depicts God through actions in Israel's pas...
Stravinsky and the Russian Traditions, Volume Two
This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folkl...
