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A Marriage Below Zero
A Marriage Below Zero (1889) is a novel by Alan Dale. Recognized as one of the first English language novels to openly depict homosexuality, the novel is a poignant study of the institution of marriage and the policing of desire in Victorian England. Rejected by contemporary critics as "unconventional" for its depiction of "monstrous forms of human voice," A Marriage Below Zero would later earn Dale a reputation as a pioneering author whose exploration of homosexual romance, however tragic its consequences, set the stage for generations of artists to come. "He reddened slightly. 'Captain Dillington always enjoys himself, ' he said quietly. 'He is very happy in society." [...] 'How rarely you...
My Footlight Husband
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Wanted: A Cook
Wanted: A Cook is a book by Alan Dale. A young couple moves in together and slowly but surely find out that neither of them is a very good cook, in this sweet youthful novella that embraces the follies of married life.
Stagestruck Filmmaker
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledge...
Familiar Chats with the Queens of the Stage. by Alan Dale
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From the Ghetto to the Melting Pot
In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative...
