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A nameless, eccentric old man, sitting in the corner of a cozy London tea shop, uses pure deduction to solve a series of baffling crimes — from gruesome murders to cases of deadly blackmail.
Baroness Emma Orczy, best known for her Scarlet Pimpernel stories, also wrote popular detective stories. This volume includes her two books, The Old Man in the Corner and The Case of Miss Elliott, both of which relate the logical theorizing of the anonymous Old Man as he discusses (and solves) mysterious crimes with a "lady journalist." Orczy initially wrote 13 short stories featuring this unusual detective, but only included 12 of the stories when they finally were bound in a single volume (with minor story modifications). The missing 13th story, The Glasgow Mystery, is here included separately as it first appeared in the Royal Magazine in 1901.
A young matron from a convalescent home is found dead in a quiet street. An earl’s racehorse is the victim of attempted poisoning. A mystery bewilders police and diplomats across Europe. All of the twelve detective stories in this volume are puzzled over by Orczy’s mysterious armchair detective, the ‘Old Man In The Corner’.
Contemporary philosophical research interconnects classical domains of philosophy, the arts, literature and social sciences. This collection of essays explores the operational role of experimentation, dissidence and heterogeneity in this process. It offers fundaments for the criticism of monolithical tendencies often put forward under the banner of the ‘Speculative Turn’ or New Realism, by means of exploring the contribution and influence of authors such as J. G. Hamann, Kierkegaard, Nietzsche and Guy Debord. These philosophers, historically placed within the margins of the philosophical mainstream, were decisive in the emergence of the philosophical thought and practices of Deleuze, Wittgenstein and Bataille, as shown here. The reader will also find re-evaluations of the contributions of Vico, Spinoza or Kant to posterity, next to new readings of authors like Foucault, Hadot, Benjamin and Adorno with regards to their significant experimental and dissident positions.
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