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Under the Bombs
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Histories of Global Inequality
This book argues that inequality is not just about numbers, but is also about lived, historical experience. It supplements economic research and offers a comprehensive stocktaking of existing thinking on global inequality and its historical development. The book is interdisciplinary, drawing upon regional and national perspectives from around the world while seeking to capture the multidimensionality and multi-causality of global inequalities. Grappling with what economics offers – as well as its blind spots – the study focuses on some of today’s most relevant and pressing themes: discrimination and human rights, defences and critiques of inequality in history, decolonization, international organizations, gender theory, the history of quantification of inequality and the history of economic thought. The historical case studies featured respond to the need for wider historical research and to calls to examine global inequality in a more holistic manner. The Introduction 'Chapter 1 Histories of Global Inequality: Introduction' is open access under a CC BY 4.0 license via link.springer.com.
Communities, Politics, and Reformation in Early Modern Europe
This volume brings together studies of communities, politics, religion, gender, and social conflict in the Holy Roman Empire, with special reference to the city of Strasbourg, during the late Middle Ages and the Reformation era. Also included are interpretations of early modern German history and the historical sociology of early modern Europe.
Lorenzo di Filippo Strozzi and Niccolo Machiavelli: Patron, Client, and the Pistola fatta per la peste/An Epistle Written Concerning the Plague
William J. Landon reveals Strozzi's influence on Machiavelli through wide-ranging textual investigations, and especially through Strozzi's Pistola fatta per la peste for which Landon has provided the first ever complete English translation and critical edition.
Beyond the Suffering of Being: Desire in Giacomo Leopardi and Samuel Beckett
This book challenges critical approaches that argue for Giacomo Leopardi’s and Samuel Beckett’s pessimism and nihilism. Such approaches stem from the quotation of Leopardi in Beckett’s monograph Proust, as part of a discussion about the removal of desire. Nonetheless, in contrast to ataraxia as a form of ablation of desire, the desire of and for the Other is here presented as central in the two authors’ oeuvres. Desire in Leopardi and Beckett is read as lying at the cusp between the theories of Jacques Lacan and Emmanuel Levinas, a desire that splits as much as it moulds the subject when called to address the Other (inspiring what Levinas terms ‘infinity’ as opposed to ‘totality,’ an infinity pitted against the nothingness crucial to pessimist and nihilist readings).
Heroism and Wisdom, Italian Style
This is an interdisciplinary work that philosophically analyzes concepts such as heroism; practical wisdom; honor; Nietzsche’s notions of will to power, the overman, and the three metamorphoses; Plato’s understanding of love; creating meaning in life; the issue of morally dirty hands in political administration; the relationship between political means and ends; the proper role of positive duties in society; the aspirations of grand strivers; and the linkages between biological, biographical, and autobiographical lives, all in the context of explaining and evaluating the lives and works of fourteen historically significant Italian: Gaius Julius Caesar, Brunetto Latini, Dante Alighieri, C...
Machiavelli's Romans
Although Machiavelli is usually considered a pioneer among modern political philosophers, he read deeply in and was greatly influenced by the works of classical Roman thinkers such as Livy. There is thus a fundamental tension between the modern and the ancient within Machiavelli's philosophy; he is both a precursor to the Enlightenment and a throwback to republican Rome. This is the main thesis behind Patrick Coby's innovative study of the neglected Machiavellian classic Discourses on Livy. Coby argues that scholars have been too quick to dismiss the ancient antecedents of Machiavelli's thought, particularly with regard to the modes and orders of the Roman republic. The book seeks to resolve the central paradox of the Discourses, that Machiavelli recommends adoption of Roman modes and orders even though those modes and orders destroyed the virt_, the strength, which Machiavelli would have moderns resuscitate by imitating Rome. A sophisticated, highly engaging book, Machiavelli's Romans will be of special interest to political theorists, Renaissance scholars, and classicists.
Chaplin's War Trilogy
The book examines Charlie Chaplin's evolving perspective on dark comedy in his three war films, Shoulder Arms (1918), The Great Dictator (1940), and Monsieur Verdoux (1947). In the first he uses the genre in a groundbreaking manner but yet for a pro-war cause. In Dictator dark comedy is applied in an antiwar way. In Monsieur Verdoux Chaplin embraces the genre as an individual in defense against a society out to destroy him. All three are pivotal films in the development of the genre in film, with the latter two movies being very controversial for their time.
The History of Futurism
Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
Gary Cooper
This definitive biography of a Hollywood icon portrays Gary Cooper as a man of complex and sophisticated tastes, as well as large appetites.
