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Multidisciplinary Studies in Oncology
Multidisciplinary Studies in Oncology
Disaster Health Management
Disaster health is an emerging field that focuses on developing prevention, preparation, response and recovery systems for dealing with health problems that result from a disaster. As disasters worldwide differ in their nature, scope and cultural context, a thorough understanding of the fundamental tenets of sound disaster health management is essential for both students and practitioners to participate confidently and effectively in the field. Disaster Health Management is the first comprehensive textbook to provide a standard guide to terminology and management systems across the entire spectrum of disaster health. Authored by experienced educators, researchers and practitioners in disaste...
Medical Disaster Response
While the job of a clinician in a disaster scenario is to save lives without regard for the cause or rationale for the injury, medical and emergency professionals who understand the diverse aspects of a disaster are better equipped to respond effectively. Giving emergency personnel the tools they need to perform in catastrophic situations, Medical
FRONTLINE: Saving Lives in War, Disaster and Disease
A heroic doctor's unflinchingly honest and visceral tale of impossible choices in emergency medicine. 'A brilliant insight into the forgotten heroes at the sharp end of humanitarian emergencies.' Jon Snow, Channel 4 News This is a story of tireless hard work and astonishing bravery. Tony Redmond has deployed to wars, refugee crises, air crashes, earthquakes, typhoons, volcanoes, and disease outbreaks for over thirty years. Featuring tales of hope and redemption, as well as untold suffering and mismanagement, this raw, honest account could only have been written by someone who has for decades performed incredible feats of altruism. Frontline takes the reader from the wards of Manchester's Nig...
Stanislavski in Rehearsal
In this fascinating book one sees Stanislavski's constant revision, his continuing search for more and more helpful ways to assist actors in creating their roles until the very end of his long, fruitful life. Here is a description of the work of his last years, written by one of the outstanding actors of his time, Vasily Osipovich Toporkov. One of Stanislavski's favorite actors, Toporkov was invited by him to participate in the experiments that form the basis of this book. It provides the clearest description of his famous "method of physical actions" from an insider trained by the master himself.
Stanislavski and the Actor
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Acting on Impulse: Reclaiming the Stanislavski approach
"A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West "I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general." Matt Peover, LAMDA trainer and theatre director. "Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner." Simon Dunmore, Editor Actor's Yearbook An inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offer...
Acting: The Basics
Now in a vibrantly revised second editon, Acting: The Basics remains a practical and theoretical guide to the world of the professional actor, which skilfully combines ideas from a range of practitioners and linking the academy to the industry. Retaining a balance between acting history, a discussion of pioneers and a consideration of the practicalities of acting techniques, the new edition includes a discussion of acting for the screen as well as the practicalities of stage acting, including training, auditioning and rehearsing. With a glossary of terms and useful website suggestions, this is the ideal introduction for anyone wanting to learn more about the practice and history of acting.
The Fervent Years
The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
