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The New Pynchon Studies
The essays in this collection are at the forefront of Pynchon studies, representing distinctively twenty-first century approaches to his work.
A Mason & Dixon Companion
Mason & Dixon might be Thomas Pynchon’s most human book. Its main characters are richly drawn, and they center the narrative. Yet the novel is also packed with historical allusions and an eighteenth-century vernacular that some readers may find difficult to navigate. A "Mason & Dixon" Companion offers this navigation line by line, unpacking Pynchon’s puns, his many references, and his pet themes. Brett Biebel provides a contextual map, episode-by-episode summaries, and page-by-page annotations explaining allusions, defining obscure vocabulary, and illuminating the book’s major themes. The goal is to help readers work their way through a difficult yet remarkably rewarding novel from one of American literature’s most significant writers. In a voice that’s both relaxed and informed, the Companion illuminates what Harold Bloom called “Pynchon’s late masterpiece.” It crystallizes the prescience of Mason & Dixon, situating the novel within Pynchon’s broader oeuvre, while being fun to read in its own right.
Thomas Pynchon’s Animal Tales
Throughout his works, Thomas Pynchon uses various animal characters to narrate fables that are vital to postmodernism and ecocriticism. Thomas Pynchon’s Animal Tales: Fables for Ecocriticism examines case studies of animal representation in Pynchon’s texts, such as alligators in the sewer in V.; the alligator purse in Bleeding Edge; dolphins in the Miami Seaquarium in The Crying of Lot 49; dodoes, pigs, and octopuses in Gravity’s Rainbow; Bigfoot and Godzilla in Vineland and Inherent Vice; and preternatural dogs and mythical worms in Mason & Dixon and Against the Day. Through this exploration, Keita Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings. Furthermore, by conducting a comparative study of Pynchon’s narratives and his contemporary documentarians and thinkers, Thomas Pynchon’s Animal Tales leads readers to draw great lessons from the fables, which stimulate our ecocritical thought for tomorrow.
Swallowing a World
Swallowing a World analyzes a series of massive and meandering late twentieth- and early twenty-first-century texts that represent, formally reproduce, and ultimately invite reflection upon the effects of globalization to show that contemporary maximalism is an aesthetic response to globalization and a global phenomenon in its own right.
Healing Labor
“An intelligent and insightful study” of the cultural and economic factors surrounding female sex workers in Japan (Nicole Constable, author of Maid to Order in Hong Kong: Stories of Migrant Workers). Contemporary Japan is home to one of the world’s largest and most diversified markets for sex. Widely understood to be socially necessary, the sex industry operates and recruits openly, staffed by a diverse group of women who are attracted by its high pay and the promise of autonomy—but whose work remains stigmatized and unmentionable. Based on fieldwork with adult Japanese women in Tokyo’s sex industry, Healing Labor explores the relationship between how sex workers think about what ...
The Complicit Text
The Complicit Text: Failures of Witnessing in Postwar Fiction identifies the causes of complicity in the face of unfolding atrocities by examining the works of Albert Camus, Milan Kunera, Kazuo Ishiguro, W. G. Sebald, Thomas Pynchon, and Margaret Atwood. Ivan Stacy argues that complicity often stems from narrative failures to bear witness to wrongdoing. However, literary fiction, he contends, can at once embody and examine forms of complicity on three different levels: as a theme within literary texts, as a narrative form, and also as it implicates readers themselves through empathetic engagement with the text. Furthermore, Stacy questions what forms of non-complicit action are possible and explores the potential for productive forms of compromise. Stacy discusses both individual dilemmas of complicity in the shadow of World War II and collective complicity in the context of contemporary concerns, such as the hegemony of neoliberalism and the climate emergency.
Planetary Pynchon
While Thomas Pynchon is usually described as an American author who primarily writes about American reality, Planetary Pynchon: History, Modernity, and the Anthropocene argues that his major novels, Gravity's Rainbow, Mason & Dixon, and Against the Day, can profitably be read as a global trilogy that presents a coherent historical account of how the emergence and spread of European modernity across the world have had devastating consequences for the planet and its inhabitants. This book sets a new agenda in Pynchon studies, charting his early anticipation of anthropocenic and planetary ideas, including globalization's demand for constant growth. It combines close textual readings with broad perspectives on large thematic arcs and stylistic developments across Pynchon's entire career as well as an extensive dialogue with the rich reception of his work.
The Matter of High Words
In a world of matter, how can we express what matters? This book examines a constellation of post-WWII authors who pose this question through both art and argument. Seeking to dramatize our highest words, these postwar sages raise essential questions about meaning, language, science, and modernity.
David Foster Wallace's Toxic Sexuality
David Foster Wallace's Toxic Sexuality: Hideousness, Neoliberalism, Spermatics is the first full-length study of perhaps the most controversial aspect of Wallace's work – male sexuality. Departing from biographical accounts of Wallace's troubled relationship to sex, the book offers new and engaging close readings of this vexed topic in both his fiction and non-fiction. Wallace consistently returns to images of sexual toxicity across his career to argue that, when it comes to sex, men are immutably hideous. He makes this argument by drawing on a variety of neoliberal logics and spermatic metaphors, which in their appeal to apparently neutral economic processes and natural bodily facts, forestall the possibility that men can change. The book therefore provides a revisionist account of Wallace's attitudes towards capitalism, as well as a critical dissection of his approach to masculinity and sexuality. In doing so, David Foster Wallace's Toxic Sexuality shows how Wallace can be considered a neoliberal writer, whose commitment to furthering male sexual toxicity is a disturbing but undeniable part of his literary project.
Thomas Pynchon in Context
Thomas Pynchon in Context guides students, scholars and other readers through the global scope and prolific imagination of Pynchon's challenging, canonical work, providing the most up-to-date and authoritative scholarly analyses of his writing. This book is divided into three parts. The first, 'Times and Places', sets out the history and geographical contexts both for the setting of Pynchon's novels and his own life. The second, 'Culture, Politics and Society', examines twenty important and recurring themes which most clearly define Pynchon's writing - ranging from ideas in philosophy and the sciences to humor and pop culture. The final part, 'Approaches and Readings', outlines and assesses ways to read and understand Pynchon. Consisting of Forty-four essays written by some of the world's leading scholars, this volume outlines the most important contexts for understanding Pynchon's writing and helps readers interpret and reference his literary work.
