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Ruby Moonlight
Tells the story of a young Aboriginal woman in the late nineteenth century who survives the massacre of her entire family. Wandering alone through Ngadjuri land, in South Australia, she encounters a luckless Irish trapper whose loneliness matches her own. Drawn together for comfort, they discover a momentary paradise along riverbanks and across arid plains that proves fragile in the face of frontier violence and colonization.
Too Afraid to Cry
Too Afraid to Cry is a memoir that, in bare blunt prose and piercingly lyrical verse, gives witness to the human cost of policies that created the Stolen Generations of Indigenous people in Australia. It is a narrative of good and evil, terror and happiness, despair and courage. It is the story of a people profoundly wronged, told through the frank eyes of a child, and the troubled mind of that child as an adult, whose life was irretrievably changed by being tricked away from her family and adopted into a German Lutheran family. What makes this book sing is not only Ali Cobby Eckermann's strong and unique narrative voice and her ability to cut to the essence of things in her poetry, but also the astounding courage with which she leads the reader through the complex account of a life in free-fall and a journey to wholeness through reconnection with her birth family and its ageless culture and wisdom. This is a brave book, written by a woman who has faced her demons, transformed her suffering into a work of art, and found her true sitting place in the world.
His Father's Eyes
Suspended from school for arguing about Australian history with his teacher, Tyrone works on a building site with his dad and learns that there's more than one way to be a hero for his people. Themes: Absence of family Life changes Loss and fear of loss Discovery of strength through family
Little Bit Long Time
This is Ali Cobby Eckermann’s first poetry collection, takes as its subject the difficult history of Indigenous people since colonial times. Both the four decades of her own often hard and confronting personal experience, and the lives of Indigenous people over the last two hundred years are the furnace in which the steel of Ali Cobby Eckermann’s incisive poetic voice has been tempered. Her language has the sureness of one who both knows her subject matter intimately and is able to speak authentically, having reached some sort of resolution in both life and in art. These poems are the song of a soul that came through, the distillations of one who has been as relentless in finding the true home of her particular voice and striking exactly the note to convey meaning and feeling as she has been in her search for identity and true home and family.
Tarnanthi 2019 Catalogue
The Tarnanthi 2019 catalogue captures the flavour, colour and diversity of one of Australia's foremost Aboriginal and Torres Strait Islander cultural events.This richly illustrated 250-page book contains exquisite imagery and insightful essays from artists, curators and art experts, examining the outstanding works of art featured in Tarnanthi 2019 and the artists who created them.The Tarnanthi 2019 catalogue makes a superb memento of your visit to Tarnanthi or an ideal gift for friends and family.
Fire Front
This important anthology, curated by Gomeroi poet and academic Alison Whittaker, showcases many respected First Nations poets from this continent alongside some of its rising stars. Featured poets include Oodgeroo Noonuccal, Jack Davis, Ruby Langford Ginibi, Kevin Gilbert, Lisa Bellear, Lionel Fogarty, Kerry Reed-Gilbert, Archie Roach, Alexis Wright, Sam Wagan Watson, Ellen van Neerven, Briggs, Claire G. Coleman and Tony Birch. Divided into five thematic sections, each is introduced by an essay from a leading Aboriginal writer and thinker - Bruce Pascoe, Ali Cobby Eckermann, Steven Oliver, Chelsea Bond and Evelyn Araluen Corr - who reflects on the power of First Nations poetry in their own inimitable way. This incredible book is a testament to the renaissance of First Nations poetry happening in Australia right now.
Guwayu, for All Times
Itravel Country, like my Old People done. I see the Country, like my Old PeopledoneI burn Country, like my Old People done. I sing Country, like my Old Peopledone-- JacobMorris, Ban Maganindadjyang (My Old People Done) Guwayu, For All Times is acollection of First Nations poems commissioned by Red Room Poetry over the past16 years, and is a radical literary intervention for its breadth ofrepresentation, temporal depth and diversity of language. This fiercely uncensoredcollection features 61 poems from First Nations poets in 12 First Nationslanguages, and together they are an exquisite expression of living FirstNations culture. Journey through a range of poetic forms fromlyric, confessional, ...
The Lost Arabs
Award-winning Arab Australian poet Omar Sakr presents a pulsating collection of poetry that interrogates the bonds and borders of family, faith, queerness, and nationality. Visceral and energetic, Sakr’s poetry confronts the complicated notion of “belonging” when one’s family, culture, and country are at odds with one’s personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
No Love Is Not Dead
A powerful new anthology depicting how love over the past two-and-a-half millennia has found its expression in the words of the world's greatest poets. No, Love Is Not Dead is a timely affirmation of the great linguistic diversity of poetry and its ability to express passionate love,this most extreme of human emotions. With influential,award-winning poets including Kim Hyesoon and Warsan Shire,and languages ranging from Amharic,Akkadian and Ancient Greek to Yankunytjatjara,Yiddish and Yoruba,this unique anthology engages the reader in reflective tales of 'Unlikely Love Stories' and 'Impossible Love', 'Love in a Time of Politics',surrealist love,visual love and free love, offering an intuitiv...
The First Wave
The European maritime explorers who first visited the bays and beaches of Australia brought with them diverse assumptions about the inhabitants of the country, most of them based on sketchy or non-existent knowledge, contemporary theories like the idea of the noble savage, and an automatic belief in the superiority of European civilisation. Mutual misunderstanding was almost universal, whether it resulted in violence or apparently friendly transactions. Written for a general audience, The First Wave brings together a variety of contributions from thought-provoking writers, including both original research and creative work. Our contributors explore the dynamics of these early encounters, fro...
