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A new theatrical provocation by Alice Birch, co-commissioned by NT Connections and theatre company Clean Break. [BLANK] is no traditional play, it's a series of sixty scenes - some of which may feel connected, others less so - about adults and children impacted by the criminal justice system. It's about what life is like when adults feel absent from it. But it can be about whatever you like - readers and performers can choose as many or as few scenes in order to construct their own narratives.
Anatomy of a Suicide
"Alice Birch's new play is scored like a piece of music... It is an extraordinary echoing text, full of pain and strange beauty. The three stories play out simultaneously on stage, the dialogue from one scene overlapping with the other two in a manner that borders on the choral... Birch has provided a text that explores these ideas in a formally invigorating way." The Stage Three generations of women. For each, the chaos of what has come before brings with it a painful legacy. A powerful, unflinching look at a family afflicted with severe depression and mental illness. Presented as a triptych of plays performed side by side, this groundbreaking play reverberates with audiences and readers. Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand new introduction by Ava Davies.
Revolt. She Said. Revolt Again
Through a series of arresting vignettes and a collection of nameless characters, Alice Birch examines the language, behaviour and forces that shape women in the 21st century. The play asks what's stopping us from doing something truly radical to change them? Written in response to the provocation that well-behaved women seldom make history, the play is an assault on the language that has fueled violence against women throughout history. Problematic language frequently attached to women is interrogated, from lazy sexist clichés to the conventions around a marriage proposal. Through doing so, the play rails against the conventions of work, sex, motherhood, aging and love. Revolt. She said. Revolt again was first performed at the 2014 Midsummer Mischief Festival in Stratford-upon-Avon. It transferred to the Royal Court Upstairs and was more recently produced at New York's Soho Rep. It is published here in a Student Edition alongside commentary and notes by Marissia Fragkou, who locates the play in our contemporary political and cultural context (including second- and third-wave feminism, and the #MeToo movement).
I Kissed Alice
"Rivals-to-lovers, mistaken identity, and slow, slow burn... A loving homage to fandom and queer girls." —Victoria Lee, author of The Fever King For fans of Leah on the Offbeat and Laura Dean Keeps Breaking Up with Me, Anna Birch's I Kissed Alice is a romantic comedy about enemies, lovers, and everything in between. Rhodes and Iliana couldn't be more different, but that's not why they hate each other. Rhodes, a gifted artist, has always excelled at Alabama’s Conservatory of the Arts (until she’s hit with a secret bout of creator’s block), while Iliana, a transfer student, tries to outshine everyone with her intense, competitive work ethic. Since only one of them can get the coveted C...
Many Moons
Juniper is looking for love, Robert is trying to avoid it, Ollie doesn't know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all. Many Moons opened at groundbreaking Theatre 503 in summer 2011.
We Want You to Watch
PIG / SISSY: ‘Are you finding this harder to hear, is this more difficult on your stomachs because we are women.’ This is about pornography. This is an interview. This is an intervention. This is an interrogation. We’re recording now.We want to pull its plug out. We want to stop its heartbeat. We want to blow its brains out and begin again. We know exactly what we’re doing. We’re not stupid. An unsettling, powerful new piece of theatre tackling pornography and violence against women.
Little Light
A dark, volatile new play that asks if we can ever let go. Reminiscing. Once a year to tell stories. To share little bits of our little lives. A house by the sea. Teddy wants more light. He’s knocked that staircase down. Alison is soaked through. She’s livid. Clarissa’s ready to burst. They can’t keep meeting like this.
Revolt. She said. Revolt again
Through a series of arresting vignettes and a collection of nameless characters, Alice Birch examines the language, behaviour and forces that shape women in the 21st century. The play asks what's stopping us from doing something truly radical to change them? Written in response to the provocation that well-behaved women seldom make history, the play is an assault on the language that has fueled violence against women throughout history. Problematic language frequently attached to women is interrogated, from lazy sexist clichés to the conventions around a marriage proposal. Through doing so, the play rails against the conventions of work, sex, motherhood, aging and love. Revolt. She said. Revolt again was first performed at the 2014 Midsummer Mischief Festival in Stratford-upon-Avon. It transferred to the Royal Court Upstairs and was more recently produced at New York's Soho Rep. It is published here in a Student Edition alongside commentary and notes by Marissia Fragkou, who locates the play in our contemporary political and cultural context (including second- and third-wave feminism, and the #MeToo movement).
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She can't stay awake. She sold drugs. She's good at interrogations. She drinks in the mornings. She ate a rabbit. She smashed up a shop. She stabbed a man. She used a hammer. She had a baby. She can't find her mother. She's covered in blood and doesn't know why. Alice Birch's heartbreaking new play reaches across society to explore the impact of the criminal justice system on women and their families.
Anatomy of a Suicide
“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.” Three generations of women. For each, the chaos of what has come before brings with it a painful legacy. Alice Birch's Susan Smith Blackburn Prize-winning play is a powerful exploration of inter-generational trauma, told across three interlinking narratives.
