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The Complete Works
DigiCat Publishing presents to you this meticulously edited George Bernard Shaw collection:_x000D_ Introduction:_x000D_ Mr. Bernard Shaw (by G. K. Chesterton)_x000D_ Novels:_x000D_ Cashel Byron's Profession _x000D_ An Unsocial Socialist _x000D_ Love Among The Artists _x000D_ The Irrational Knot _x000D_ Plays:_x000D_ Plays Unpleasant:_x000D_ Widowers' Houses (1892)_x000D_ The Philanderer (1898)_x000D_ Mrs. Warren's Profession (1898)_x000D_ Plays Pleasant:_x000D_ Arms And The Man: An Anti-Romantic Comedy in Three Acts (1894)_x000D_ Candida (1898)_x000D_ You Never Can Tell (1897)_x000D_ Three Plays for Puritans:_x000D_ The Devil's Disciple _x000D_ Caesar And Cleopatra_x000D_ Captain Brassbound'...
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Women in Engineering
Women in Engineering: Pioneers and Trailblazers introduces the visionary women who opened the door for today s female engineers. Pioneers such as Emily Roebling, Kate Gleason, Edith Clarke, and Katherine Stinson come to life in this anthology of essays, articles, lectures, and reports. In this book, the significant contributions women have made to engineering, in areas as diverse as construction management, environmental protection, and industrial efficiency, are finally placed in their proper historical context. Studies on women engineers in the 1920s and in the years following World War II, underscore how far women have progressed in engineering, and how far they have to go. With selection...
Taking Stock
The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of "taking stock", whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century?
Objects of War
"Discusses the ways in which material culture affected and reflected how people grappled with social, cultural, and material upheavals during times of war"--
British Film Catalogue
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
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