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The Cinema and Its Shadow
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. Discussing early "race subjects," Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive.
Peterson's Magazine
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Annual Catalogue...
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Made-Up Asians
Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century.
His Mate, Her Fate
London was from a pack that was killed by an enemy pack. She was only seventeen when it happened. She was the only one to escape except for a small boy named Aaron. London rescues Aaron and runs from the scene of the corpses of her pack. She lives peacefully with Aaron as a rogue before she stumbles into another pack's territory. Both London and Aaron are taken to the alpha of the pack. But once London and Alpha Mason meet, they realize they have found their mate. But caring for Aaron, who is not Alpha Mason's blood, will be difficult. Can London be a good Luna? SNEAK PEAK "Don't touch my pup!" I snarled. "Your pup? I don't think so." The alpha chuckled. I growled and faced this alpha. Once I saw his face, I lost my breath and my words. I heard pounding footsteps behind me but couldn't tear my eyes away. A hand wrapped around my chin and head, about to snap my neck but the alpha roared. The man who had my head stopped. "Take your hands off her. Now." He growled, making his way toward me. The man immediately removed his hands. He glared at the man as he made his way to me. "Beautiful. He whispered, stroking my cheek with his thumb.
Faces on Screen
Examines the face on screen from a variety of critical and historical perspectives
The History of Foreign Investment in the United States, 1914-1945
Mira Wilkins, the foremost authority on foreign investment in the United States, continues her magisterial history in a work covering the critical years 1914-1945. Wilkins includes all long-term inward foreign investments, both portfolio (by individuals and institutions) and direct (by multinationals), across such enterprises as chemicals and pharmaceuticals, textiles, insurance, banks and mortgage providers, other service sector companies, and mining and oil industries. She traces the complex course of inward investments, presents the experiences of the investors, and examines the political and economic conditions, particularly the range of public policies, that affected foreign investments...
