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Devil’s Mile tells the rip-roaring story of New York’s oldest and most unique street The Bowery was a synonym for despair throughout most of the 20th century. The very name evoked visuals of drunken bums passed out on the sidewalk, and New Yorkers nicknamed it “Satan’s Highway,” “The Mile of Hell,” and “The Street of Forgotten Men.” For years the little businesses along the Bowery—stationers, dry goods sellers, jewelers, hatters—periodically asked the city to change the street’s name. To have a Bowery address, they claimed, was hurting them; people did not want to venture there. But when New York exploded into real estate frenzy in the 1990s, developers discovered the...
The marvelous story of one of New York City's most unique buildings Critics hated it. The public feared it would fall over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City. Alice Sparberg Alexiou chronicles not just the story of the building, but the heady times in which it was built. It was the dawn of the twentieth century, a time when Madison Square Park shifted from a promenade for rich women to one for gay prostitutes; when photography became an art; motion pictures came into existence; the booming economy suffered increasing depressions; jazz came to the forefront of popular music—and all within steps of one of the city's best-known and best-loved buildings.
"In this analysis of Jane Jacobs's ideas and work, Alice Sparberg Alexiou tells the story of a woman who without any formal training in planning became a prominent spokesperson for sensible urban change. Besides writing the seminal book about contemporary cities, Jacobs organized successful community battles in New York against powerful interests. Based on an array of interviews and primary source material, this book brings long-overdue attention to Jacobs's far-reaching influence as an original thinker and effective activist."--BOOK JACKET.
The marvelous story of the Flatiron: the instantly recognizable building that signaled the start of a new era in New York history. Critics hated it. The public feared it would topple over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City. The Flatiron Building was built by the Chicago-based Fuller Company--a group founded by George Fuller, "the father of the skyscraper"--to be their New York headquarters. The company's president, Harry Black, was never able to make the public call the Flatiron the Fuller Building, however. Black's was the country's largest real estate firm, constructing Macy's ...
It’s just another murder, one of the hundreds of simple homicides in 1939: A spinster nurse is killed in her apartment; a suspect is caught with the murder weapon and convicted. Fintan Dunne, the P.I. lured onto the case and coerced by conscience into unraveling the complex setup that has put an innocent man on Death Row, will soon find that this is a murder with tentacles which stretch far beyond the crime scene . . . to Nazi Germany, in fact; following it to the end leads him into a murder conspiracy of a scope that defies imagination. The same clouds are rolling over Berlin, where plans for a military coup are forming among a cadre of Wehrmacht officers. Admiral Wilhelm Canaris, head of...
During the Civil War, there were throughout the Union explosions of resistance to the war -from the deadly Draft Riots in New York City to other, less well-known outbreaks. In Deserter Country, Robert Sandow explores one of these least known "inner civil wars", the widespread, sometimes violent opposition in the Appalachian lumber country of Pennsylvania. Sparsely settled, these mountains were home to divided communities that provided safe-haven for opponents of the war. The dissent of mountain folk reflected their own marginality in the face of rapidly increasing exploitation of timber resources by big firms, as well as partisan debates over loyalty. One of the few studies of the northern Appalachians, this book draws revealing parallels to the War in the southern mountains, exploring the roots of rural protest in frontier development, the market economy, military policy, partisan debate, and everyday resistance. Sandow also sheds new light on the party politics of rural resistance, rejecting easy depictions of war-opponents as traitors and malcontents for a more nuanced and complicated study of the class, economic upheaval, and localism.
The Rat That Got Away is an inspiring story of one man's odyssey from the streets of the Bronx to a life as a professional athlete and banker in Europe, but it is also provides a unique vantage point on the history of the Bronx and sheds new light on a neglected period in American urban history. Allen Jones grew up in a public housing project in the South Bronx at a time--the 1950s--when that neighborhood was a place of optimism and hope for upwardly mobile Black and Latino families. Brought up in a two-parent household, with many neighborhood mentors, Jones led an almost charmed life as a budding basketball star until his teen years, when his once peaceful neighborhood was torn by job losse...
Two Irish brothers journey from New York’s East River to its halls of power in this “masterwork of historical fiction” by the author of Dreamland (Parade). Inspired by one of the great, unsolved murders in mob history, this novel tells the sweeping story of Charlie O’Kane, a poor Irish immigrant who works his way up from beat cop to mayor of New York at the city’s postwar zenith. Famous, powerful, and married to a fashion model, millions of local citizens look up to him, including his younger brother, Tom—until he is accused of abetting a shocking crime. The charges stem from his days as a crusading Brooklyn DA, when he sent the notorious killers of Murder, Inc., to the chair—o...
"Flatiron" documents one of the most photographed architectual landmarks of the twentieth century. It also records a labor of love--one man's fascination with a building and with its timeless appeal to photographers both famous and obscure.
Set in a rapidly gentrifying New York City determined to move beyond the decimation of a generation a decade earlier, What I Did Wrong is a day in the life of Tom, a forty-two-year-old English professor, haunted by the death of his best friend, Zack, who died theatrically and calamitously of AIDS. Tom himself slouches gingerly and precariously into middle age questioning every certainty he had about himself as a gay man while negotiating the field of his college classes, populated as they are with guys whose cocky bravado can’t quite compensate for their own confused masculinity. Tom tries to balance his awkwardly developing friendships with them. In the process, he begins to find common g...