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The Midnight Disease
“An original, fascinating, and beautifully written reckoning . . . of that great human passion: to write.”—Kay Redfield Jamison, national bestselling author of An Unquiet Mind Why is it that some writers struggle for months to come up with the perfect sentence or phrase while others, hunched over a keyboard deep into the night, seem unable to stop writing? In The Midnight Disease, neurologist Alice W. Flaherty explores the mysteries of literary creativity: the drive to write, what sparks it, and what extinguishes it. She draws on intriguing examples from medical case studies and from the lives of writers, from Franz Kafka to Anne Lamott, from Sylvia Plath to Stephen King. Flaherty, who...
The Massachusetts General Hospital Handbook of Neurology
Now in its revised, updated Second Edition, this pocket-sized handbook is a practical quick-reference guide to the diagnosis and management of neurologic diseases. It presents specific management recommendations in a succinct outline format and includes protocols, step-by-step tests and procedures, and treatment algorithms. This handbook is unique in its inclusion of material from related disciplines such as general medicine, cardiology, psychiatry, neurosurgery, neuroanatomy, and radiology. The authors offer guidance in using contemporary neuroimaging techniques in diagnosis.
Luck of the Loch Ness Monster
Once upon a time, on a long, slow trip to Scotland, a little girl named Katerina-Elizabeth tossed her oatmeal overboard—again, and again, and again. She was a picky eater, and oatmeal was her least favorite food. And once upon a time, a small worm, no bigger than a piece of thread, swam alongside an ocean liner bound for Scotland and ate bowl after bowl of tossed oatmeal. He had never tasted anything as wonderful as oatmeal in his whole life. A. W. Flaherty and Scott Magoon unravel the Loch Ness legend in this whimsical picture book for the picky (and not-so-picky) eater in all of us.
The Cambridge Companion to World Literature
This Companion presents lucid and exemplary critical essays, introducing readers to the major ideas and practices of world literary studies.
I Have a Balloon
"Owl has a red balloon and Monkey wants it, but Owl does not want to share. So Monkey tries to find something to trade for the balloon"--
Fussy Flamingo
A hilarious and colorful children's book about a stubborn baby flamingo and her encouraging parents, perfect for fans of Grumpy Monkey and I Don't Want to Be a Frog. Meet Lola, the "no, no" flamingo. Lola will NOT eat shrimp, thank you very much. She does NOT care that it will turn her feathers pink. It is just plain yucky. But each time Lola sneaks a different food, she changes colors! This funny visual tale will delight even the pickiest of young readers and resonate with parents eager to see their kids try just one bite. This repetitive and charming tale is a good story time pick, and it's also great for toddlers, preschoolers and early readers who may be fussy about certain foods! Don't miss the fun facts about real life flamingos in the back, a cool STEM supplement! Perfect for buyers who want: Great read aloud books like The Wonky Donkey and We Don't Eat Our Classmates Childrens books about food Flamingo gifts for little girls and boys Picture books about picky eating Toddler books 2 year olds, books for 3 year olds, and kids books ages 4-6 Praise for Fussy Flamingo: "Try it. You'll like it."—Kirkus Reviews
Shapeshifter
Poetry by one of the most powerful female figures in twentieth-century surrealism, now collected in English for the very first time. Alice Paalen Rahon was a shapeshifter, a surrealist poet turned painter who was born French and died a naturalized citizen of Mexico. Her first husband was the artist Wolfgang Paalen, among her lovers were Pablo Picasso and the poet Valentine Penrose, and over the years her circle of friends included Frida Kahlo and Diego Rivera, Joan Miró, Paul Éluard, Man Ray, and Anaïs Nin. This bilingual edition of Rahon’s poems confirms the achievement of this little-known but visionary writer who defies categorization. Her spellbinding poems, inspired by prehistoric art, lost love, and travels around the globe, weave together dream, fantasy, and madness. For the first time in any language, this book gathers the three collections of poetry Rahon published in her lifetime, along with uncollected and unpublished poems and an album of portraits, manuscript pages, and artworks.
Otto Grows Down
When time goes backwards, granting six-year-old Otto his wish that his attention-stealing baby sister was never born, it keeps going backwards, and Otto finds himself getting younger and younger.
Environmental Toxicants
Provides the most current information and research available for performing risk assessments on exposed individuals and populations, giving guidance to public health authorities, primary care physicians, and industrial managers Reviews current knowledge on human exposure to selected chemical agents and physical factors in the ambient environment Updates and revises the previous edition, in light of current scientific literature and its significance to public health concerns Includes new chapters on: airline cabin exposures, arsenic, endocrine disruptors, and nanoparticles
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
