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The Old Woman, the Tulip, and the Dog
This book by a major American poet is for poetry readers at all levels, academic and non-academic. It is a sequence of poems that will surprise and delight readers—in the voices of an old woman full of memories, a glamorous tulip, and an earthy dog who always has the last word.
The Book of Seventy
Poems that explore the territory of advancing age—its tragicomedies, its passions, its engagement with the world.
The Volcano and After
Alicia Suskin Ostriker’s passionate voice has long been acknowledged as a vital force in American poetry. From urgent spiritual quest to biting political satire, from elegy to comedy, from celebration of the city street and the world “as a paradise might be / if we had eyes to see,” to the “crack in earth . . . crack in her mind,” from brilliant evocations of art and music to mother-daughter wrestlings, Ostriker’s poetry rings with insistence on beauty and truth. Drawing from six of her previous books, and highlighting a sequence of bold new poems exploring the challenges and absurdities of aging, The Volcano and After is a masterpiece for our time.
Writing Like a Woman
Essays on women poets and on the relationship between gender and creativity
The Crack In Everything
This volume of poetry from Alicia Suskin Ostriker is one of her most ambitious, ranging from laments and celebrations for a flawed world to meditations on art and artists, to a powerful exploration of illness and healing.
The Mother/Child Papers
In 1970, as the war in Vietnam was heating up, Ostriker was awaiting the birth of her son. On April 30, President Nixon announced the bombing of Cambodia. On May 14, four students were shot and killed by National Guardsmen at Kent State University. The poems in this collection confront Ostriker’s personal tumult as she considered the world she had brought her son into.
Stealing the Language
Stealing The Language represents the first comprehensive appraisal of women's poetry in American and brilliantly defines one of the most exciting and original literary movement of our time.
A Woman Under the Surface
From A Woman Under the Surface:MOON AND EARTH Alicia Ostriker ? Of one substance, of oneMatter, they have cruellyBroken apart. They never will touch Each other again. The shiningLovelier and youngerTurns away, a pitiful girl. She is completely nakedAnd it hurts. The largerMotherly one, breathlessly luminous Emerald, and blue, and whiteTraveling mists, suffersBirth and death, birth and death, and the shockOf internal heat killed by external cold.They are dancing through that blackness. They press as ifTo come closer.
Waiting for the Light
Winner of the 2017 National Jewish Book Award, poetry category What is it like living today in the chaos of a city that is at once brutal and beautiful, heir to immigrant ancestors "who supposed their children's children would be rich and free?" What is it to live in the chaos of a world driven by "intolerable, unquenchable human desire?" How do we cope with all the wars? In the midst of the dark matter and dark energy of the universe, do we know what train we're on? In this cornucopia of a book, Ostriker finds herself immersed in phenomena ranging from a first snowfall in New York City to the Tibetan diaspora, asking questions that have no reply, writing poems in which "the arrow may be blown off course by storm and returned by miracle."
The Imaginary Lover
• Winner of the 1987 William Carlos Williams Award presented by the Poetry Society of AmericaWith The Imaginary Lover, Alicia Ostriker takes her place among the most striking and original poets whose work is informed by feminist consciousness. Her characterization of the best poetry by women, in the New York Times Book Review, aptly describes this book: "intimate rather than remote, passionate rather than distant, defying divisions between emotion and intellect, private and public, life and art, writer and reader." To read her poems is to "discover not only more of what it means to be a woman but more of what it means to be human."
