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Country House, a ''comedy with corpses,'' is a wicked subversion of all those realistic psychological dramas of jealousy, adultery, murder and suicide that ask to be taken seriously. Witkacy's send-up assumes the form of a ghost story full of surprises, in the course of which an entire family of four is gleefully dispatched to the other world. When it was first performed in 1923 in Torun, Country House was judged unsuitable for the general public because it derided moral, social and dramatic convention. Three years later, as directed by the playwright himself in Lwów, the drama proved an unexpected success with audiences (although it only ran for four nights) and ever since has been among Witkacy's most frequently performed works. Today we can appreciate Country House not only as a systematic demolition of stage realism, but also as an anxious probing of the elusive boundaries between life and death, exposing the ''dark places'' of the human psyche that make us laugh nervously.
The epic story of Joseph Pilsudski, the father of Polish independence. Although he is largely either unknown or misunderstood in the West, Pilsudski was a consequential historical figure whose defeat of the Red Army in 1920 preserved Poland's sovereignty and quite possibly spared Europe from Bolshevik revolution. This account of Pilsudski's life places this and other achievements in the proper context by providing sufficient background in Polish history and illuminating his interconnectedness with more well known historical events.
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The 2010 release of US embassy diplomatic cables put WikiLeaks into the international spotlight. Revelations by the leaks sparked intense debate within international diplomacy, journalism and society. This book reflects on the implications of WikiLeaks across politics and media, and on the results of leak journalism and transparency activism.
A history of the discovery of gold in Victoria.
A “creatively captivating and intellectually challenging” existential mystery from the great Polish author—“sly, funny, and . . . lovingly translated” (The New York Times). Winner of the 1967 International Prize for Literature Milan Kundera called Witold Gombrowicz “one of the great novelists of our century.” Now his most famous novel, Cosmos, is available in a critically acclaimed translation by the award-winning translator Danuta Borchardt. Cosmos is a metaphysical noir thriller narrated by Witold, a seedy, pathetic, and witty student, who is charming and appalling by turns. In need of a quiet place to study, Witold and his melancholy friend Fuks head to a boarding house in t...
80 pages. Koneczny claims that ethics is a science that deserves to be studies as all others. Ethical reactions may come from the heart but they need reason to be fruitfully employed. It is the Chinese who derive ethics from emotional assumptions. In the Latin civilization we base it on reason. Koneczny rejects the notion that morality is eternally unchangeable. It develops and he, as a historian, studied this development. It used to be acceptable to have slaves, now it is not. It used to be acceptable to have duels, now it is not. Revenge (vendetta) used to be considered a moral obligation, now it is forbidden. There is moral progress regardless whether in a particular society morality or immorality is dominant.There is no crime that would not be considered a virtue in some society, be it killing children and the aged, sexual license in honor of some deity, human sacrifices, cannibalism, polygamy, polyandry etc. Yet all develop in the direction of improvement. This requires a culture of action.
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