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Alison Cuddy
Biography of Alison Cuddy, currently Program Director at Chicago Humanities Festival, previously Arts and Culture Reporter and Content Producer at Chicago Public Media WBEZ 91.5 FM and Arts and Culture Reporter and Content Producer at Chicago Public Media WBEZ 91.5 FM.
Theater of the Mind
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
Against Fairness
A polymath philosopher shares lighthearted examples of humanity's unspoken instinct toward favoritism to argue against zealous pursuits of fairness.
The Witch's Flight
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic form...
Narrative Mortality
What seems like closure might be something more, as Catherine Russell shows us in this book about death in narrative cinema since the 1950s. Analyzing the structural importance of death in narrative endings, as well as the thematics of loss and redemption, Russell identifies mortality as a valuable critical tool for understanding the cinema of the second half of the twentieth century. Her work includes close textual readings of films by Fritz Lang, Wim Wenders, Oshima Nagisa, Jean-Luc Godard, and Robert Altman, among others. In these analyses, Russell reveals an uneasy relationship between death and closure, which she traces to anxieties about identity, gender, and national-cultural myths, a...
Virtuous Vice
DIVUses queer theory and Marx’s theory of value to explore issues of assimilation, representation, and equivalence, tracing the concepts through selected 19th-century texts and contemporary gay and lesbian studies./div
Dangerous Crossings
Dangerous Crossings interprets disputes in the United States over the use of animals in the cultural practices of nonwhite peoples.
Stadtgeschichten
Tales of Two Cities compares both metropolises and soon discovers differences as well as similarities. American and German experts from different fields (for example historians, geographers, architects, journalists or Americanists) join our 'guided tours' through Chicago and Hamburg. They introduce the reader to the sister cities as migration magnets and spaces of different interests. They discuss challenges and chances of urban life, city planning, safety measures or media cities within an Atlantic context. The volume includes contributions in German as well as English. Claudia Schnurmann is a researcher at the Department of History at the University of Hamburg (Germany). Iris Wigger is a researcher at the School of Sociology at University College in Dublin (Ireland).
Old Comiskey Park
These new essays and memories cover the history and evolution of the former home of the Chicago White Sox, as well as its importance to its surrounding neighborhoods, and to the city of Chicago. The essays cover Charles Comiskey and the location of the ballpark; the neighborhoods that surround the site; the dimensions and configurations of Old Comiskey Park; a summary of All-Star, World Series, and playoff games played there; Negro League baseball at Comiskey Park; Bill Veeck; the ballpark as host to events and sports other than White Sox baseball; and an analysis of the evolution of the famous "exploding scoreboard," the original model for today's modern sports stadium boards. Former players, White Sox personnel and fans contributed memories, including substantial pieces by Roland Hemond and Nancy Faust.
