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Women who work as prostitutes are struggling against a disadvantaged position in society. The relative poverty in which many women still live in is seen as the cause for prostitution, in that sex is their most saleable commodity and can bring them substantial financial rewards. Originally published in 1982 and drawing on her involvement with PROS (Programme for Reform of the Law on Soliciting), one of the Street Prostitutes’ Campaigns in Britain, and on interviews with prostitutes and their clients, the author examines how the financial benefits are offset by the attitudes prostitutes encounter from men. It is shown that while, in some ways, the role of client reflects men’s advantageous...
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It has been said that Don Nigro now has more plays in print than any American playwright. This is surprising considering that he remains relatively unknown to the general public. Despite his obscurity, Nigro is on his way to being regarded as one of the country's great dramatists. His work has been performed in colleges, universities, off-off-Broadway, and community theaters both in the U.S. and abroad. In Labyrinth, McGhee chronicles Nigro's stories, plays, settings, and characters of almost 200 monologue, one-act and full-length plays. Given the breadth of Nigro's characters and exciting plots, Labyrinth is a useful resource for directors, actors, and enthusiasts in both professional and repertory theater. In addition, Labyrinth introduces readers to generations of gripping tales about extraordinary people. McGhee's book is a welcome addition to any theater library.
In the oeuvre of New York artist Moyra Davey (born 1958), literature and writing are as significant as photography, film, and video. In her latest text, Burn the Diaries. Davey considers the work of French playwright and political activist Jean Genet (1910-1986), among other texts, while examining fugitive moments from her own life. An essay by her childhood friend and reading companion Alison Strayer, written in response, reflects on Daveys themes. The publication is part of a group of new works; that includes photographs, a film, and an installation of her signature mailers - and can be read both as an artist's book and a catalogue to accompany the exhibition at Mumok, Vienna, and the ICA in 2014. Exhibition: University of Pennsylvania Museum, Philadelphia, USA (17.9-28.12.2014).
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The Oxford Handbook of Children's Musical Cultures is a compendium of perspectives on children and their musical engagements as singers, dancers, players, and avid listeners. Over the course of 35 chapters, contributors from around the world provide an interdisciplinary enquiry into the musical lives of children in a variety of cultures, and their role as both preservers and innovators of music. Drawing on a wide array of fields from ethnomusicology and folklore to education and developmental psychology, the chapters presented in this handbook provide windows into the musical enculturation, education, and training of children, and the ways in which they learn, express, invent, and preserve music. Offering an understanding of the nature, structures, and styles of music preferred and used by children from toddlerhood through childhood and into adolescence, The Oxford Handbook of Children's Musical Cultures is an important step forward in the study of children and music.