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Alfred Felton, a bachelor of definite opinions and benignly eccentric habits, was one of the remarkable group of Melbourne merchants who dominated the economy of the Australian colonies in the decades after the gold rush. In 1904 he left his substantial fortune in trust, the income to be spent by a committee of his friends, half on charities (especially for women and children), and half on works of art for the National Gallery of Victoria, works calculated to 'raise and improve public taste'. The Gallery suddenly gained acquisition funds greater than those of London's National and Tate galleries combined, and between 1904 and 2004 more than 15 000 items were purchased for it by the Felton Be...
Piecing together the fascinating life and times of National Gallery of Victoria director and acclaimed artist L. Bernard Hall for the first time, this book uncovers Australian art's most influential administrator and teacher-whose achievements have been virtually written out of history. Never as conservative as sometimes suggested, Hall came to Australia for the love of a woman and stayed for the love of a gallery, establishing a record of service unrivalled today. Based almost entirely on primary source material, this biography includes many of.
An evocative exploration of the impact of the Mediterranean on British culture, ranging from the mid-eighteenth century to today Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons—including many painters and poets—who sought from it the inspiration, beauty, and fulfillment that evaded them at home. Referred to as “Magick Land” by one traveler, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. Written by one of the world’s leading historians of the Mediterranean, this book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron’s poetry to Damien Hirst’s installations, Robert Holland shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of color, carnival, and sensual self-discovery.
Examines the politicisation of empathy across the British empire during the nineteenth century and traces its legacies into the present.
DIVComparative study of 19th-century representations of Ottoman harems that considers both the tradition of British paintings and writings about harems as well as the perspectives of Ottoman women who commissioned their own harem portraits./div
provision of allergy Services : Sixth report of session 2003-04, Vol. 2: Oral and written Evidence
A biography of the Queen of Sheba who is celebrated by at least three of the world's great religions, Judaism, Christianity, and Islam.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
This book reviews the competing claims that works of art belong either to a particular people and place, or to humankind.
With an interdisciplinary approach that encompasses political history, the history of ideas, cultural history and art history, The Victorian World offers a sweeping survey of the world in the nineteenth century. This volume offers a fresh evaluation of Britain and its global presence in the years from the 1830s to the 1900s. It brings together scholars from history, literary studies, art history, historical geography, historical sociology, criminology, economics and the history of law, to explore more than 40 themes central to an understanding of the nature of Victorian society and culture, both in Britain and in the rest of the world. Organised around six core themes – the world order, ec...