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Worldwide Women Writers in Paris
Worldwide Women Writers in Paris examines a new literary phenomenon consisting of an unprecedented number of women from around the world who have come to Paris and become authors of written works in French. It takes as its starting point a series of filmed interviews conducted in the French capital, a set of recorded conversations motivated by a desire to pay homage to these discrete voices and images at a moment characterized by impressive diversity. Their individual paths to France and to French are noteworthy, and these authors of different generations and varying places of origin emphasize their singularity. However, the juxtaposition of their reflections reveals that many have faced sim...
Time Signatures
Time Signatures engages in a close study of the autobiographical writings of three contemporary Francophone writers from the Maghreb: Assia Djebar, HZl_ne Cixous, and AbdelkZbir Khatibi. Alluding to music not only as a 'theme' pulsing throughout these writers' works, but also as a means of comprehending their unique, improvisational writing styles, Alison Rice offers readers a new and beautifully constructed way of reading these authors' texts by demonstrating that the form adopted to address topics of concern is as significant as the content itself. The voice of Jacques Derrida intermingles with the timbres of these three writers in fruitful contrapuntal passages, serving as a source of inspiration for conceptualizing language and communicating the self in an unprecedented manner. Time Signatures demonstrates that these individuals write the 'self' in French in ways influenced by sensitivities acquired during their early experiences in a multicultural, multilingual 'colonial' environment in which their ears were trained, and their minds tuned, for translations to come.
Women Who Give Away Millions
This book pays tribute to 14 women who donated millions of dollars to causes close to their hearts. Iris Nowell is the author of five books. Writing her 1996 book, Women Who Give Away Millions, has given her a solid foundation of philanthropy, the not-for-profit sector, and the wealthy. She has also written a memoir of Canadian artist Harold Town, and a biography of artist, filmmaker, and impassioned feminist, Joyce Wieland.
Polygraphies
Coinciding with the fiftieth anniversary of Algeria's independence, Polygraphies is significant and timely in its focus on autobiographical writings by seven of the most prominent francophone women writers from Algeria today, including Maïssa Bey, Hélène Cixous, Assia Djebar, and Malika Mokeddem. These authors witnessed both the "before" and "after" of the colonial experience in their land, and their fictional and theoretical texts testify to the lasting impact of this history. From a variety of personal perspectives and backgrounds, each writer addresses linguistic, religious, and racial issues of crucial contemporary importance in Algeria. Alison Rice engages their work from a range of disciplines, striving both to heighten our sensitivity to the plurality inherent in their texts and to move beyond a true/false dichotomy to a wealth of possible truths, all communicated in writing.
Transpositions
This collective volume concentrates on the concept of transposition, exploring its potential as a lens through which to examine recent Francophone literary, cinematic, theatrical, musical, and artistic creations that reveal multilingual and multicultural realities. The chapters are composed by leading scholars in French and Francophone Studies who engage in interdisciplinary reflections on the ways transcontinental movement has influenced diverse genres. It begins with the premise that an attentiveness to migration has inspired writers, artists, filmmakers, playwrights and musicians to engage in new forms of translation in their work. Their own diverse backgrounds combine with their awarenes...
Getting Together
Getting Together provides a range of task-based conversation activities for pairs and small groups of adults and young adults. Each unit offers a range of activities from easy to challenging.
The Royal Court of the Imperial Flower Kingdom
This suite of seventeen artworks from Alison Jane Rice's National Trust exhibition, intricately & imaginatively created in a collage assemblage style, draws on the artist's rich resources of materials and her enduring themes of fantasy and whimsy. By introducing wildflowers and cultivars to you in her heart-inspired way, hopefully you, too, will spread the significant message of conserving our planet's wildflower meadows for future generations.
Exiles, Travellers and Vagabonds
Travel writing, migrant writing, exile writing, expatriate writing, and even the fictional travelling protagonists that emerge in literary works from around the globe, have historically tended to depict mobility as a masculine phenomenon. The presence of such genres in women’s writing, however, poses a rich and unique body of work. This volume examines the texts of Francophone women who have experienced or reflected upon the experience of transnational movement. Due to the particularity of their relationship to home, and the consequent impact of this on their experience of displacement, the study of women's mobility opens up new questions in our understanding of the movement from place to place, and in our broader understanding of colonial and postcolonial worlds. Addressing the proximities and overlaps that exist between the experiences of women exiles, migrants, expatriates and travellers, the collected essays in this book seek to challenge the usefulness, relevance or validity of such terms for conceptualising today’s complex patterns of transnational mobility and the gendered identities produced therein.
Mind the Ghost
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers’ investment in mnemonic practices. Considering the me...
On Evelyne Accad
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