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Generations and Geographies in the Visual Arts: Feminist Readings
Great collection from for top feminist art historians and thinkers Includes Griselda Pollock and Mieke Bal International perspective focusing on gender and race
Critical Perspectives on Contemporary Painting
Comprising examples of artwork and a series of essays, this collection examines and assesses the current status of painting within global contemporary art. It sheds light on fine art as it is understood as a facet of a global culture and society dominated by Northern European and US power and history.
Crafting Dissent
Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally. But there was nothing new about women crafting as a means of dissent. Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to b...
Girlhood
Girlhood, interdisciplinary and global in source, scope, and methodology, examines the centrality of girlhood in shaping women's lives. Scholars study how age and gender, along with a multitude of other identities, work together to influence the historical experience. Spanning a broad time frame from 1750 to the present, essays illuminate the various continuities and differences in girls' lives across culture and region--girls on all continents except Antarctica are represented. Case studies and essays are arranged thematically to encourage comparisons between girls' experiences in diverse locales, and to assess how girls were affected by historical developments such as colonialism, political repression, war, modernization, shifts in labor markets, migrations, and the rise of consumer culture.
Empresses and Queens in the Courtly Public Sphere from the 17th to the 20th Century
Eight case studies focus on a specific group of European Empress consorts and Queen regnants from the 17th to the 20th century and their relationship to the media, using a unique, comparative, cross-media, and cross-period approach.
Putin Kitsch in America
Vladimir Putin's image functions as a political talisman far outside of the borders of his own country. Studying material objects, fan fiction, and digital media, Putin Kitsch in America traces the satirical uses of Putin's public persona and how he stands as a foil for other world leaders. Uncovering a wide variety of material culture - satirical, scatological, even risqué - made possible by new print-on-demand technologies, Alison Rowley argues that the internet is crucial to the creation of contemporary Putin memorabilia. She explains that these items are evidence of young people's continued interest and participation in politics, even as some experts decry what they see as the opposite....
Helen Frankenthaler
This extraordinary examination of the work of 'colour field' painter Helen Frankenthaler overturns assumptions about the artist, whose work has been burdened by its label as 'the bridge between Pollock and what was possible'. Trained as a painter, Alison Rowley brings a keen eye to Frankenthaler's paintings, returning to the fore the artist's debt not only to Jackson Pollock but also to Cezanne, and speculating for the first time as to her artistic responses to wider political events, in particular the Rosenberg trial. Making a fascinating case, too, for the connections between the 'breakthrough' work 'Mountains and Sea' and Lily Briscoe's painting in Virginia Woolf's novel 'To the Lighthouse', this beautifully written book provides crucial new insights into Frankenthaler's practice, as a painter who is also a woman.
Feminism Art Theory
Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, the long-anticipated new edition of Feminism-Art-Theory has been extensively updated and reworked. Completely revised, retaining only one-third of the texts of the earlier edition, with all other material being new inclusions Brings together 88 revealing texts from North America, Europe and Australasia, juxtaposing writings from artists and activists with those of academics Embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism, to education and aesthetics Includes many classic texts, but is particularly notable for its inclusion of rare and significant material not reprinted elsewhere Provides a uniquely flexible resource for study and research due to its scale and structure; each of the seven sections focuses on a specific area of debate, with texts arranged chronologically in order to show how issues and arguments developed over time
Roving Revolutionaries
Three of the formative revolutions that shook the early twentieth-century world occurred almost simultaneously in regions bordering each other. Though the Russian, Iranian, and Young Turk Revolutions all exploded between 1904 and 1911, they have never been studied through their linkages until now. Roving Revolutionaries probes the interconnected aspects of these three revolutions through the involvement of the Armenian revolutionaries—minorities in all of these empires—whose movements and participation within and across frontiers tell us a great deal about the global transformations that were taking shape. Exploring the geographical and ideological boundary crossings that occurred, Houri Berberian’s archivally grounded analysis of the circulation of revolutionaries, ideas, and print tells the story of peoples and ideologies in upheaval and collaborating with each other, and in so doing it illuminates our understanding of revolutions and movements.
Writing Back to Modern Art
Studying the art writing and critique of the three leading art writers of the latter 20th century with focus on canonical modern artists, Harris brings us this study which assesses the development of modern art writing.
