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Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons a...
This is the first overview of the career of Alison and Peter Smithson, the most controversial yet most widely-influential of post-war architectural practices. From their first youthful project, the school at Hunstanton, to their final works, they epitomised the idea of the avant-garde architect, and were strongly engaged with artists and critics and with groups and tendencies in Britain and beyond. 0Structured thematically and chronologically, the book gives a coherent and compact narrative of the Smithsons' work and ideas. As well as all of the major buildings - including the Economist complex, the Garden building at St Hilda's College, and the Robin Hood Gardens estate - the book also disc...
Architects Alison and Peter Smithson kept a visual diary of a drive from their London office to their Wiltshire cottage. The contrast of their sleek Citroen DS 19 with the verdant landscape links the urban and the rural in a sensible continuum. It was originally published as A Sensibility Primer in 1983.
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An extended exploration of the authors' theories and work over the past seventeen years, in which not only their aesthetic but also their political and emotional concerns are made plain.
Alison (1928-1993) and Peter Smithson (1923-2003), two of the most influential and controversial architects of the latter half of the twentieth century, strove to adapt the progressive ideas of the pre-war modern movement to the specific human needs of the period of post-war reconstruction.As younger members of CIAM (Congrés Internationaux d'Architecture Moderne), and as founding members of Team 10, they were at the heart of the debate on the future course of modern architecture. The uncompromising modernity of their Hunstanton Secondary Modern School (1949-1954) heralded the Smithsons' role as the leading exponents of the New Brutalism and the Pop Art movement of the 1960s. In this book Risselada has collected together the most important published essays about the career of this partnership of British architects, from early contributions by Rayner Banham, Philip Johnson, Kenneth Frampton, and Peter Cook, to more recent texts by Peter Eisenmann, Christine Boyer, Beatriz Colomina, and Luisa Hutton.
The Smithsons have also added contemporary commentary to provide a context for the work."--BOOK JACKET.
"When le Corbusier assembled "Vers Une Architecture,"" write the Smithsons, "he gave to young architects everywhere a way of looking at the emergent machine-served society, and from that, a way of looking at antiquity and a rationale to support his personal aesthetic. Viollet-le-Duc had performed the same service to architects before le Corbusier: the role they played is traditional to the development of architecture. In this essay, based on material written between 1955 and 1972, we try to do the same as these architects before us."We write to make ourselves see what we have got in the inescapable present...to give another interpretation of the same ruins...to show a glimpse of another aest...