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Alistair Taylor worked with the Beatles almost without a break until they split up. He was hired by Brian Epstein to be his assistant and eventually became general manager of Apple.
Alistair Taylor, personal assistant to the Beatles' manager Brian Epstein, recalls his time with the band in this autobiography.
Look at the first contract with Beatles’ manager Brian Epstein, and you will see only one other name—Alistair Taylor's. By the band’s side from the very beginning, he beheld the inception and growth of the most extraordinary musical phenomenon of the last century. But he was also there when things started to go wrong—when George Harrison quit the band at the height of their success and when it all started to spiral out of control. And he reveals for the first time exactly what caused their break-up. As Brian Epstein’s right-hand man, Alistair Taylor was with the charismatic manager when he first saw The Beatles perform at The Cavern. Taylor later became the band’s ever-present Mr. Fix-it. He bought islands, handled paternity cases, and became a close and trusted friend. It was he who found Epstein’s body after his suicide and, in the reorganization that followed, Taylor went on to become General Manager of Apple, The Beatles’ record company.
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In a land caught between the sea and cloud, where the natural landscape still refuses civilization, there are those; the composers of words, tellers of tales, that help shape the minds of the people that live on its shores. They are spiritcarvers. New Zealand writing today is engaging in an intent struggle to subvert multiple shapes into voices. These interviews, as a record of biographical orature, are shaped into presenting the figure of the storyteller through memory and language; explorations of how we imagine and create ourselves with and into words. Here we encounter the dichotomy of fiction and non-fiction, myth and consensual reality, imagination and truth: do we live within our own selected fictions? Identity is shaped by the authors' sense of displacement as well as of belonging - meeting otherness with dispossession, discovering connection through isolation. Among the focal points of the interviews are the role of women's writing, Maori writing, interrelations among different cultures, and the influence of literary and oral tradition within New Zealand.
We are often told that we are "living in an information society" or that we are "information workers." But what exactly do these claims mean, and how might they be verified? In this important methodological study, Alistair S. Duff cuts through the rhetoric to get to the bottom of the "information society thesis." Wide-ranging in coverage, this study will be of interest to scholars in information science, communication and media studies and social theory. It is a key text for the newly-unified specialism of information society studies, and an indispensable guide to the future of this discipline.
A landmark in New Zealand literary scholarship, this book provides an extraordinary insight into the formative years of one of New Zealand's most significant poets. Included are 56 letters written by James K. Baxter to his slightly older friend, Noel Ginn, who was at the time imprisoned as a conscientious objector. In these letters, a teenage Baxter pours out his ideas and feelings on life, philosophy, and his own work. Included are the complete texts of the 255 poems written at the time and discussed in the letters. The introduction, an important work of biographical criticism in its own right, puts Baxter's ideas and interests within the context of the wider public events and intellectual and spiritual currents of his time.
This is a comprehensive introduction to books and print culture which examines the move from the spoken word to written texts, the book as commodity, the power and profile of readers, and the future of the book in an electronic age.