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Alan Bennett is one of the UK's most well-known and successful writers. He has acted, written, directed, presented, or edited in almost every conceivable dramatic medium, including stage, print media, radio, film, and television. This book is the first to focus on his often neglected work for television, from the mid-1960s right through to the present. It encompasses formats such as the single play (the rarely seen 1970s collaborations with Stephen Frears and Lindsay Anderson), the two Talking Heads series, perceived as a reinvention of the television monologue, and his autobiographical documentaries. While providing a context of television drama in which Bennett's output is embedded, this study also provides compact overviews of his work in other media.
From one of England’s most celebrated writers, a funny and superbly observed novella about the Queen of England and the subversive power of reading When her corgis stray into a mobile library parked near Buckingham Palace, the Queen feels duty-bound to borrow a book. Discovering the joy of reading widely (from J. R. Ackerley, Jean Genet, and Ivy Compton-Burnett to the classics) and intelligently, she finds that her view of the world changes dramatically. Abetted in her newfound obsession by Norman, a young man from the royal kitchens, the Queen comes to question the prescribed order of the world and loses patience with the routines of her role as monarch. Her new passion for reading initially alarms the palace staff and soon leads to surprising and very funny consequences for the country at large. With the poignant and mischievous wit of The History Boys, England’s best-loved author Alan Bennett revels in the power of literature to change even the most uncommon reader’s life.
One of NPR’s Best Books of the Year: “Humorous, surprising, disarmingly human” essays and comic pieces from one of England’s national treasures (The Washington Post Book World). A Milwaukee Journal Sentinel Best Book of the Year A Lambda Literary Award finalist Bringing together the hilarious, revealing, and lucidly intelligent writing of one of England’s best-known literary figures, Keeping On Keeping On contains Tony Award–winning playwright, Oscar-nominated screenwriter, and actor Alan Bennett’s diaries from 2005 to 2015—with everything from his much celebrated essays to his irreverent comic pieces and reviews—reflecting on a decade that saw four major theater premieres and the films of The History Boys and The Lady in the Van. This entertaining chronicle of a life in letters comes from a “singular voice [with] a highly tuned ironic wit—his special brand of gentleness laced with arsenic” (The New York Times Book Review). “Part of the pleasure of his diaries is the sense that [Bennett] tells them things he would never say out loud.” —The New York Review of Books “Consistently funny and touching.” —The Telegraph
This collection of Alan Bennett's work includes his first play and West End hit, Forty Years On, as well as Getting On, Habeus Corpus, and Enjoy. Forty Years On 'Alan Bennett's most gloriously funny play ... a brilliant, youthful perception of a nation in decline, as seen through the eyes of a home-grown school play ... a classic.' Daily Mail Getting On Winner of the Evening Standard Best Comedy Award in 1971, Getting on is an account of a middle-aged Labour MP, so self-absorbed that he remains blind to the fact that his wife is having an affair with the handyman, his mother-in-law in dying, his son is getting ready to leave home, his best friend thinks him a fool and that to everyone who co...
- What were you in life?- In life, as you put it, I was a schoolmaster. The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an NHS efficiency drive. As Dr Valentine and Sister Gilchrist attend to the patients, a documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward. Meanwhile, the old people's choir, in readiness for next week's concert, is in full swing, augmented by the arrival of Mrs Maudsley, aka Pudsey Nightingale. Alan Bennett's Allelujah! opened at the Bridge Theatre, London, in July 2018. With an introduction by Alan Bennett.
Already a bestseller, this is a wonderfully entertaining collection of Alan Bennett's prose writings. Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of England's leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud. His television series 'Talking Heads' has become a modern-day classic; as part of the 1960s revue 'Beyond the Fringe' Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists, most recently with The History Boys at the National Theatre. At the heart of the book is The Lady in The Van, since adapted into a radio play featuring Dame Maggie Smith. It is the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. This new edition also includes Bennett's introduction to his Oscar-nominated screenplay for The Madness of King George and his more recent diaries.
Adapted by the author from his autobiographical memoir, The Lady in the Van tells the story of Miss Mary Shepherd, whom Alan Bennett first came across when she was living in the street near his home in Camden Town. Taking refuge with her van in his garden originally for three months, she ended up staying fifteen years. Funny, touching and unexpectedly spectacular, The Lady in the Van marked the return to the stage of one of our leading playwrights. The Lady in the Van with Maggie Smith opened at the Queen's Theatre, London, in December 1999.
The Shielding of Mrs ForbesGraham Forbes is a disappointment to his mother, who thinks that if he must have a wife, he should have done better. Though her own husband isn't all that satisfactory either. Still, this is Alan Bennett, so what is happening in the bedroom (and in lots of other places too) is altogether more startling, perhaps shocking, and ultimately more true to people's predilections.The Greening of Mrs Donaldson Mrs Donaldson is a conventional middle-class woman beached on the shores of widowhood after a marriage that had been much like many others: happy to begin with, then satisfactory and finally dull. But when she decides to take in two lodgers, her mundane life becomes much more stimulating ...
Alan Bennett reads all four parts of his highly-acclaimed 'Untold Stories.' He recounts stories about his family life and his childhood and schooldays, and gives his views on such topics as nature, religion, arts, and the class system.
The box contains: The Clothes They Stood Up In, the story of an elderly couple who have had everything they own stolen. The Lady in the Van, a play about a homeless old lady, Miss Shepherd, who lived in a car in Bennett's driveway for 15 years. Father! Father! Burning Bright, about Midgeley and his stifling relationship with his father.