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Conversations with Goethe
A perceptive introduction to the mind of one of German's greatest writers, in a new translation for the first time in 150 years 'The best German book there is' Nietzsche By the turn of the nineteenth century, the poet, novelist and thinker Johann Wolfgang von Goethe was one of the most famous people in the world. In 1823 he became friend and mentor to the young writer Johann Eckermann, who, for the last nine years of Goethe's life, recorded their wide-ranging conversations on art, literature, science and philosophy. This rich portrait of Germany's literary elder statesman, now in its first new translation for over 150 years, gives a fascinating glimpse into a great mind as well as 'many insights and invaluable lessons about life.' Translated by Allan Blunden with an Introduction by Ritchie Robertson
Nightmare in Berlin
Available for the first time in English, here is an unforgettable portrayal by a master novelist of the physical and psychological devastation wrought in the homeland by Hitler’s war. Late April, 1945. The war is over, yet Dr Doll, a loner and ‘moderate pessimist’, lives in constant fear. By night, he is haunted by nightmarish images of the bombsite in which he is trapped — he, and the rest of Germany. More than anything, he wishes to vanquish the demon of collective guilt, but he is unable to right any wrongs, especially in his position as mayor of a small town in north-east Germany that has been occupied by the Red Army. Dr Doll flees for Berlin, where he finds escape in a morphine addiction: each dose is a ‘small death’. He tries to make his way in the chaos of a city torn apart by war, accompanied by his young wife, who shares his addiction. Fighting to save two lives, he tentatively begins to believe in a better future. Written with Fallada’s distinctive power and vividness, Nightmare in Berlin captures the demoralised and desperate atmosphere of post-war Germany in a way that has never been matched or surpassed.
Suprahumanism
We are at a crucial point in time: a moment of transition as important as the emergence of Homo sapiens, or the beginning of civilisation after the Neolithic Revolution. Paradoxically, the triumph of the West - also called 'globalisation' - means the death of Europe and European man. Our destiny hangs between two options: either to complete the triumph of the egalitarian conception of the world, which will bring about the end of history, or to promote a historical regeneration. Nietzsche prophesied that the Earth will eventually belong to either the last man or to the superman. There are no other alternatives.
Unfinished Music
Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
The A to Z of Existentialism
Existentialism is the philosophy of human existence, which flourished first in Germany in the 1920s and 1930s and then in France in the decade following the end of World War II. The operative meaning of existentialism here is thus broader than it was circa 1945 when the term first gained currency in France as a label for the philosophy of Jean-Paul Sartre. However, it is considerably less broad than the view proposed by commentators in the 1950s and 1960s who, in an attempt to overcome Sartre's hegemony, discovered the seeds of existentialism far and wide: in Shakespeare, Saint Augustine, and the Old Testament prophets. In this dictionary, existentialism is understood as a decidedly 20th-cen...
The Many Faces of Coincidence
Although much has been said and written about coincidences, there is a marked absence when it comes to the development of a comprehensive model that incorporates the many different ways in which they can be understood and explained. One reason for this omission is undoubtedly the sharp divide that exists between those who find coincidences meaningful and those who do not, with the result that the conclusions of the many books and articles on the subject have tended to fall into distinct camps. The Many Faces of Coincidence attempts to remedy this impasse by proposing an inclusive categorisation for coincidences of all shapes and sizes. At the same time, some of the implications arising from the various explanations are explored, including the possibility of an underlying unity of mind and matter constituting the ground of being.
Wonder and Generosity
Wonder and Generosity provides a fresh account of how the passions of wonder—based on accepting others' differences—and generosity—based on self-respect and mutual respect—can supplement each other to establish an ethics and politics of respect for sexual and cultural differences. Drawing on the work of both historical and contemporary thinkers, such as Descartes, Kant, Beauvoir, Arendt, Irigaray, and Derrida, Marguerite La Caze applies her theoretical framework to a range of contemporary political challenges, including asylum-seeker policies, justice for indigenous and other oppressed groups, debates over official apologies, gender equality, and responses to radical evil. La Caze's book contributes to understanding the relationship between equality and difference in public life, the extent to which we must regard others as similar in the name of equality, and the extent to which we must acknowledge significant differences.
The Third Reich
"Based in part on documents seldom used by previous historians, this history of the Third Reich shows how the dramatic, improbable rise of the Nazis happened because of tragic miscalculations and blunders, then documents what life was like for ordinary Germans as the Nazis precipitated the horrors of World War II and the Holocaust"--
The Tragic and the Ecstatic
During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.
The Lord's First Night
From the late Middle Ages to THE MARRIAGE OF FIGARO to Mel Gibson's BRAVEHEART, the ultimate symbol of feudal barbarism has been the right of a feudal lord to sleep with the bride of a vassal on her wedding night. But here, in a fascinating case study of the folklore of sexuality, Alain Boureau elegantly demonstrates such tradition is a myth.
