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"Arved Ashby writes with a keen sense of the historical processes, ironies, and reversals that seem to characterize the ways that musicologists think about, and contemporary listeners experience, works and performance. This book is a major contribution to the burgeoning body of critical musicological literature on recordings; anybody interested in that field, or in the question of the 'artwork' in the contemporary world, needs to read this book--which fortunately, is a great pleasure to do."--Adam Krims, author of Music and Urban Geography "The relationship between classical music and recording is strangely conflicted: on the one hand recorded music is the perfect realization of aesthetic au...
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While we may have always assumed that insects employ auditory communication, our understanding of it has been impeded by various technical challenges. In comparison to the study of an insect's visual and olfactory expression, research in the area of acoustic communication has lagged behind. Filling this void, Insect Sounds and Communication is the
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