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Self-portrait with Crayon
Poetry. "An oblique conversation with Degas reigns throughout this collection of oddly heartbreaking pieces. Against the backdrop of his paintings and sketches, we find ourselves in an intimate world, coherent but uncanny, where private memory becomes inseparable from the culture we hold in common, and all of it just barely cracked open, riven by interstices through which we glimpse the vivid but unsayable. White has given us a truly exceptional first collection, deeply musical and intricately haunting" Cole Swensen."
Please Bury Me in this
A series of letters on the death of the speaker's father that investigate loss and language's limits and ability to transcend our temporal lives
The Wendys
"A powerful meditation on grief and the radiating effects of violence against women. "Because it is easier to miss a stranger / with your mother's name," Allison Benis White instead writes about five women named Wendy as a way into the complex grief that still lingers after the death of a sixth Wendy, the author's long-absent mother. A series of epistolary poems addressed to Wendy O. Williams becomes an occasion for the speaker to eulogize as well as reflect on the singer's life and eventual suicide: "What kind of love is death, I'm asking?" In the section devoted to Wendy Torrance, the fictional wife from The Shining who was bludgeoned to death by her husband, the speaker muses on the inadequacy of language to resolve or even contain grief in the wake of trauma: "A book is a coffin. Hoarsely. A white sheet draped over the cage of screaming." Ultimately, The Wendys is a book of silences and space in which tenderness and violence exist in exquisite tension. "If to speak is to die," Benis White writes in "Ignis Fatuus," "I will whisper.""--
Took House
Took House is a disquieting book about intimate relationships and what is seen and hidden. In vulnerable poems of obsession, Camp places motivation deep in the background, following instead a chain reaction between pain and pleasure. Boundaries shift between reality and allegory. Blame, power and disorder hover, unsettling what we know of love.
Bad Star
Poetry. "Just enough knife, just enough feather--Rebecca Hazelton's Bad Star cuts and caresses with masochistic precision in this brilliant dissection of modern love. I would say to potential readers: take a deep breath and see how far you can go."--Allison Benis White "Bad Star is a gripping, lyric noir that chronicles the travails of a clear-eyed femme fatale we root for despite, or because of, her love of 'small violences/ which swoon her silent/ and unafraid." Hazelton recasts a tale of star-crossed lovers with a fierce intelligence, a profound exploration of eroticism, and a music so exquisite it carries us through from violence to radiance: 'what joy, / to feel opened up/ to wonder...to have the real/ fear at last.'"-- Katy Didden
The Crown Ain't Worth Much
2017 Eric Hoffer Book Award - Poetry Honorable Mention 2017 Eric Hoffer Book Award - Grand Prize Short List 2017 Hurston/Wright Legacy Award Nominee The Crown Ain't Worth Much, Hanif Abdurraqib's first full-length collection, is a sharp and vulnerable portrayal of city life in the United States. A regular columnist for MTV.com, Abdurraqib brings his interest in pop culture to these poems, analyzing race, gender, family, and the love that finally holds us together even as it threatens to break us. Terrance Hayes writes that Abdurraqib "bridges the bravado and bling of praise with the blood and tears of elegy." The poems in this collection are challenging and accessible at once, as they seek to render real human voices in moments of tragedy and celebration.
The Lantern Room
"The Lantern Room explores extreme psychic states alongside questions of what tethers us to the world, the seasons, and each other. With precision and compassion, these poems cut through the climate of silence surrounding mental illness and treatment. This collection is also concerned with the vigilance it takes for a woman to see herself and the world through her own gaze. Honum writes of sorrow and beauty, heartbreak and humor. By turns steely and delicate, these poems trace what it means to both stand trembling at precipices and to lean on wonder and beauty. "Lyrical and lush, Chloe Honum's The Lantern Room takes sorrow as its artistic subject: 'Alone in my bedroom, I sob, / and the wardr...
My Dim Aviary
Poetry. "Through the voice of Miss Fernande Parisian model, prostitute, rumored mistress of Picasso Gillian Cummings creates a series of exquisite prose poems, thick with longing, loneliness, and corporal beauty. 'What color would God clothe me but red?' Cummings asks, offering the body as both wound and source of pleasure, and later, 'There is a place the soul goes when the body is a field lost to burning.' MY DIM AVIARY is that place. Reader, I implore you to visit." Allison Benis White"
Destruction Myth
Poetry. Expanding the palette of contemporary surrealism while harkening back to the stories and prayers at the origin of poetry, DESTRUCTION MYTH is a series of absurdist myths of creation and destruction that are at times both inventively silly and surprisingly emotionally direct. This book attempts the world again and again, only to find that even the most ridiculous of creations contains the seeds of its own destruction.
Dictionary Stories
"Dictionary Stories isn’t just a book for word nerds, but for anyone for whom language and story matter. Everybody will find themselves thoroughly in love with this book." —Kory Stamper, editor for Merriam-Webster, and author of Word by Word Everyone has looked up a word in the dictionary. Some of us have even asked for it to be used in a sentence during our 2nd grade spelling bee. But few of us have ever really considered those example sentences: where they come from, how they’re generated…and why in heaven’s name they are so darn weird. Jez Burrows opened the New Oxford American Dictionary and sat, mystified. Instead of the definition of "study" he was looking for, he found himse...
