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A Staggering Revolution
During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.
American Modern
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
Signs of the Times
"The George Gund Foundation imprint in African American studies."--Page [i] of preliminary pages.
The National Park to Come
Historians of wilderness have shown that nature reserves are used ideologically in the construction of American national identity. But the contemporary problem of wilderness demands examination of how profoundly nature-in-reserve influences something more fundamental, namely what counts as being well, having a life, and having a future. What is wellness for the citizens to whom the parks are said to democratically belong? And how does the presence of foreigners threaten this wellness? Recent critiques of the Wilderness Act focus exclusively on its ecological effects, ignoring the extent to which wilderness policy affects our contemporary collective experience and political imagination. Tracing the challenges that migration and indigenousness currently pose to the national park system and the Wilderness Act, Grebowicz foregrounds concerns with social justice against the ecological and aesthetic ones that have created and continue to shape these environments. With photographs by Jacqueline Schlossman.
Terry Winters
Terry Winters’s work of the past decade weaves disparate strains of idea, object, and physical operations into the primary logic of his art. His art contains an astonishing array of forms and demonstrates the equally surprising breadth of his artistic language. This retrospective volume continues where the mid-career survey (1992) at the Whitney Museum concluded, presenting the past decade of Winters’s innovative work in paintings, prints, drawings, and artists’ books. Terry Winters presents the ways in which the artist creates sets and subsets of distinctive works that interact with bodies of previous and current work. Also included are images by the artist that have not previously be...
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Print/out
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
Photography, Curation, Criticism
This unique collection brings together the work of photography writer, curator, and lecturer, Liz Wells, reflecting on key themes of landscape, place, nationhood, and environmental concerns. A newly written introductory chapter contextualizes the collection. This is followed by an ‘in conversation’ with Martha Langford, Concordia University, Montreal, that brings together two leading figures in the field to respond to Wells’ thought and the themes that emerge in her writings. The essays included in this anthology draw on work from a variety of sources including artists’ photobooks, exhibition catalogues, magazines, academic books, and journals. Seventeen previously published articles...
Philip Guston's Poem-pictures
Focuses on drawings that grew out of Guston's (1912-1980) interactions and collaborations with poets during the last decade of his life. Long associated with the New York School of painters, in the late 1960s Guston turned from abstract work and began integrating lines, passages and, in some cases,
