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Artistic Practices and Cultural Transfer in Early Modern Italy
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms fo...
The Lost Venetian Church of Santa Maria Assunta dei Crociferi
Version: 1.1.2 DOI: 10.5281/zenodo.4284460 Original Repository (Zenodo): https://doi.org/10.5281/zenodo.4094821 This book investigates the history and decoration of one of the most important churches of Venice in the 16th century: Santa Maria Assunta dei Crociferi. Painters and sculptors of the stature of Titian, Tintoretto, Veronese, Palma il Giovane, Vittoria and Campagna all contributed major works of art, many of which survive in the present-day church of the Gesuiti. But as a result of the suppression of the order of the Crociferi (Crosiers, or Crutched Friars) in 1656, and of the subsequent demolition of their church, the art-historical significance of this ensemble had become largely ...
The Money Question
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Congressional Record
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Architecture, Art and Identity in Venice and its Territories, 1450–1750
Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
Clays and Clay Minerals
Earth Sciences, Volume 11: Clays and Clay Minerals covers the proceedings of the Ninth National Conference on Clays and Clay Minerals, held at the Purdue University, Lafayette, Indiana on October 5-8, 1960, sponsored by the Committee on Clay Minerals of the National Academy of Sciences – National Research Council. The Conference features two symposia, namely, the “Engineering Aspects of Physico-Chemical Properties of Clays and the “Clay-Organic Complexes . This book is composed of 42 chapters and begins with descriptions of the mechanical, structural, thermodynamic, physical, and thermal properties of clay minerals. The succeeding chapters are devoted to certain reactions, theoretical and experimental aspects, occurrence, formation, and sorption properties of these minerals. Other chapters explore other involved mineral reactions, including interlamellar, cation exchange, swelling, and adsorption. The concluding chapters examine the viscometric constants of suspension, stabilization mechanism, and random growth of certain clay minerals. This book will be of value to geologists, mineralogists, and researchers in the field.
Lithium and Cell Physiology
Lithium and Cell Physiology explores the role of lithium in a wide range of physiologic contexts. The contributions reflect the most recent advances in our understanding of the biochemical, pharmacological, and clinical applications of this metal ion. The book discusses how lithium modulates cells of the immune system, stimulates granulopoiesis, and influences the course of viral infections. The effect of lithium on the skin, as well as on inositol phosphate metabolism, cell growth, magnesium-dependent enzymes, and essential fatty acids and prostaglandins is discussed.
Senate documents
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Nature’s Experiments and the Search for Symbolist Form
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices. Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature’s experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind...
