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The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic offers a comprehensive analysis of all eight of Cervantes's Ocho comedias (published 1615), moving beyond conventional anti-Lope approaches to Cervantine dramatic practise in order to identify what, indeed, his theatre promotes. Considered on its own aesthetic terms, but also taking into account ontological and socio-cultural concerns, this study compels a re-assessment of Cervantes's drama and conflates any monolithic interpretations which do not allow for the textual interplay of contradictory and conflicting discourses which inform it. Cervantes's complex and polyvalent representation of freedom underpins such an appro...
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.
This book provides the reader with a clear and precise description of robotics and other systems for home automation currently on the market, and discusses their interoperability and perspectives for the near future. It shows the different standards and the development platforms used by the main service robots in an international environment. This volume provides a scientific basis for the user who is looking for the best option to suit his or her needs from the available alternatives to integrate modern technology in the digital home.
This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.
In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad rang...
Remarkable products of a nation deeply implicated in the Atlantic slave trade, the seventeenth-century Spanish plays Juan Latino, The Brave Black Soldier, and Virtues Overcome Appearances appear together in English for the first time in this volume. The three protagonists not only defy the period’s color-based prejudices but smash through its ultimate social barrier: marriage into the white nobility. Michael Kidd’s fluid translations and extensive critical introduction, bibliography, and glossary are enhanced by Hackett’s title support webpage. Black Protagonists of Early Modern Spain is essential reading for students of theater history, Spanish literature, and the African diaspora.
The first comprehensive study of Calderón in EnglishPedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain''s dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignan...
. A lo nuevo quijotil: la comedia nueva entre el encanto y la risa (Lope de Vega y Tirso de Molina). Hacia una teoría de la justicia poética en el teatro de Lope de Vega. Caricatura del diablo a base de apodos y matracas en la Tragedia Ocio del P. Cigorondo (Puebla, 1586)- Duns Scoto y Santo Tomás en algunas obras de Tirso- La imagen burlesca de Madrid y la casa de la dama en Los melindres de Belisa de Lope de Vega- Galería de retratos: figura, figurilla y figurón.- Notas sobre la voz, los gestos y los movimientos escéncios del loco festivo: la Farsa del Mundo y Moral de Hernán López de Yanguas- La locura fingida de los actores como defensa de su tejné . El caso de algunas loas de p...
This book presents the first study of music in convent life in a single Hispanic city, Barcelona, during the early modern era. Exploring how convents were involved in the musical networks operating in sixteenth-century Barcelona, it challenges the invisibility of women in music history and reveals the intrinsic role played by nuns and lay women in the city’s urban musical culture. Drawing on a wide range of archival sources, this innovative study offers a cross-disciplinary approach that not only reveals details of the rich musical life in Barcelona’s nunneries, but shows how they took part in wider national and transnational networks of musical distribution, including religious, commerc...
Though known as a site since 1903, El Mirón Cave in the Cantabrian Mountains of northern Spain remained unexcavated until a team from the universities of New Mexico and Cantabria began ongoing excavations in 1996. This large, deeply stratified cave allowed the team to apply cutting-edge techniques of excavation, recording, and multidisciplinary analysis in the meticulous study of a site that has become a new reference sequence for the classic Cantabrian region. The excavations uncovered the long history of human occupation of the cave, extending from the end of the Middle Paleolithic, through the Upper Paleolithic, up to the modern era. This volume comprehensively describes the background information on the setting, the site, the chronology, and the sedimentology. It then focuses on the biological and archaeological records of the Holocene levels pertaining to Mesolithic, Neolithic, Chalcolithic, and Bronze Age. Archaeologists, anthropologists, and historians will be drawn to this study and its extensive findings, dated by some seventy-five radiocarbon assays.