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FANBOY : Kisah Seorang Bucin Idol K-POP
Sebenernya gua tadinya mau nulis kata pengantar, tapi karena gua nggak tahu alamat antarnya ke mana, nggak jadi aja, deh. Gua mau ngucapin banyak terima kasih buat Allah Swt., emak dan bapak gua, Pidya (istri gua), Tiffani Afifa yang udah naikin derajat dan karier gua, Geraldy Tan yang memotivasi buat gua ngelarin buku, serta editor buku gua, Ry Azzura yang nggak capek untuk meneror gua di Whatsapp selama empat tahun buat ngelarin buku ini walaupun jarang gua respons. Gua kalo jadi dia sih, udah nyerah dan cari penulis lain yang lebih niat. Terima kasih juga buat lu yang udah menyempatkan membeli dan membaca buku gua. Kalo nggak ada kalian, mungkin gua bakal tempel buku gua di tiang-tiang listrik pinggir jalan, sebelah stiker sedot WC dan badut sulap biar ada yang baca. Terima kasih juga buat GagasMedia yang udah mau nerbitin buku gua. Kalo nggak ada kalian mungkin gua nyetak buku di tempat photocopy dan minta dijilid spiral dengan ditutup cover transparan warna-warni.
New Korean Wave
The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context.
Understanding Hallyu
This book sheds light on aspects of the Korean Wave and Korean media products that are less discussed—Korean literature, webtoon, and mukbang. It explores the making of these Korean popular cultural products and how they work and engage media recipients regardless of their different national, cultural, and geographical backgrounds. Drawing on narrative theory and cultural studies, the book makes a compelling argument about how to analyze the production and consumption of Korean media within and beyond its national boundary with critical eyes. The author shows how transmedial narrative studies (narrative studies across media) offers analytical and theoretical lenses through which one can interpret new and emerging media forms and contents. Furthermore, she explores how these forms and contents can be better understood when they are contextualized within specific time and place using the cultural, social, and political concepts and precepts of the region. The volume will be of great interest to scholars and researchers of Asian Studies, popular culture, contemporary cyberculture, media and culture studies, and literary theory.
The Cultural Experience
The Cultural Experience has helped generations of undergraduates discover the excitement of ethnographic research through participation in relatively familiar cultures in North American society. Grounded in the interviewing-based ethnographic technique known as ethnosemantics, the latest edition continues to treat ethnography as a discovery process. Students are taught how to set up an ethnographic field study, choose a microculture, and find and approach an informant, as well as how to ask ethnographic questions, record data, and organize and analyze what they have learned. Detailed instruction on how to write an ethnography is also provided. The guidelines are followed by ten short but sub...
Kasat Nyata
Cermin adalah musuh gue. Setiap bercermin, gue benci melihat sosok kurus dan berjerawat ini. Gue selalu ingin berteriak, “andai wajah gue lebih mulus”, “andai badan gue lebih bagus”, “andai gue bergelimang harta”. Andai, andai, dan andai. Perasaan benci sama diri sendiri bertambah saat bertemu seorang influencer di sebuah acara. Wajahnya tampan, kulitnya putih, mulus, dan kenyal yang bisa membuat lalat tergelincir. “Buset, cakep banget nih orang. Andai aja gue jadi dia, mending nggak usah kerja, cari sugar daddy ajalah, pasti banyak yang ngantre.” Ternyata, apa yang gue pikir, berbeda dengan kenyataan. Dia membenci hidupnya dan keluarganya yang tidak utuh, dia juga tidak puny...
Drama Keluarga Lumut
Aku sering stres melihat papa mamaku. Gara-gara mereka, keluargaku ini bisa dibilang keluarga lumut. Kenapa lumut? Karena dalam kondisi ekstrem, ternyata keluarga ini masih bisa tumbuh. Papa mamaku ini layaknya dua spesies lumut yang berbeda. Ada aja yang mereka permasalahkan sehari-hari, kadang baju, kadang sendal. Terakhir mereka debat tentang ketupat. Papa Lumut bilang ketupat harusnya warna hijau, Mama Lumut bilang harusnya warna kuning. YA UDAH SIH BIARKAN KETUPAT ITU MEMILIH JALAN HIDUPNYA SENDIRI. Sampai-sampai aku pernah tanya, “Mama Papa nikah gara-gara duit, ya?” Nana punya cerita random sehari-hari tentang dia dan keluarganya. Adik-adiknya suka menjaili sang kakak. Mama dan papa pun ada-ada saja aksinya. Walaupun banyak lucu, ada juga hal-hal yang menginspirasi. Keluarga tetaplah menjadi tempat bercerita. Buku persembahan penerbit GagasMedia #GagasMedia
Old Firehand
Die Erz�hlung "Old Firehand" wurde 1875 erstmals im "Deutschen Familienblatt" ver�ffentlicht. 1879 bearbeitete May den Text f�r die erste Buchausgabe eines seiner Texte, das Jugendbuch "Im fernen Westen. Zwei Erz�hlungen aus dem Indianerleben f�r die Jugend von Carl May und Fr. C. von Wickede".Im Zuge dieser Bearbeitung wurde aus dem jungen M�dchen Ellen, in das sich der Ich-Erz�hler (hier noch nicht Old Shatterhand) verliebt, der Knabe Harry, j�nger als Ellen. Allerdings gelang es May nicht, alle Hinweise auf die Liebesgeschichte auszumerzen, weshalb die bearbeitete Fassung stellenweise etwas befremdlich wirkt. Auch Winnetous Gestalt wird weniger barbarisch dargestellt. In der Originalfassung skalpiert er bedenkenlos seine toten Feinde und isst den Stummel der zu Ende gerauchten Zigarre auf.1893 nahm May diese bearbeitete Fassung als Old Firehand-Abenteuer in die Buchausgabe von Winnetou II auf.
KONTRIBUSI ORANG TUA SISWA DALAM PEMANFAATAN TEKNOLOGI PENDIDIKAN PADA MASA PANDEMI
KONTRIBUSI ORANG TUA SISWA DALAM PEMANFAATAN TEKNOLOGI PENDIDIKAN PADA MASA PANDEMI
MODEL PEMBELAJARAN KOOPERATIF TIPE THINK-PAIR-SHARE
MODEL PEMBELAJARAN KOOPERATIF TIPE THINK-PAIR-SHARE
SISTEM PENGELOLAAN SAMPAH BERBASIS ANDROID MELALUI PARTISIPASI MASYARAKAT
SISTEM PENGELOLAAN SAMPAH BERBASIS ANDROID MELALUI PARTISIPASI MASYARAKAT
