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Newly translated from Spanish, The Man of Villa Tevere paints a remarkably vivid portrait of the day-to-day life of St. Josemaría Escrivá, “the saint of the ordinary.” Set in the world headquarters of Opus Dei and rich with anecdotes culled from the Founder’s contemporaries, this acclaimed biography chronicles the construction of the Roman center through Monsignor Escrivá's death there in 1975. When St. Josemaría arrived in Rome, nearly twenty years after founding Opus Dei, there was still much to be done and little was to come easily. Escrivá maintained that full canonical confirmation from the Catholic Church was imperative to the mission of Opus Dei, but he would not live to se...
Studies the influence of the plastic arts on the major writers of Latin American modernism. Painting Modernism demonstrates the influence of painting and sculpture on the work of the major writers of Latin American modernism. Through his analysis, Ivan A. Schulman, a foundational figure in the field, offers a concise and new interpretation of works by José Asunción Silva, Julián del Casal, Rubén Darío, José Juan Tablada, and José Martí. Traditional critical discourse on modernism has emphasized the nature of this movement in terms of its self-referentiality, fragmentation, elitist/escapist concepts, and subjective notions of cultural and aesthetic authenticity. Schulman breaks from this approach and examines these works as products of subjectively generated social/artistic practices that are inseparable from socioeconomic transformations and the chaotic cultural crises of the modern world.
This volume represents a rereading of modernism and the modernist canon from a double distance: geographical and temporal. It is a revision not only from the periphery (Spain and Latin America), but from this new fin de si cle as well, a revisiting of modernity and its cultural artifacts from that same postmodernity. Modernism and Its Margins is an attempt at introducing different perspectives and examples in the theoretical debate, redefine dominant assumptions of what modernism-or margins-mean in our historical juncture.
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field. Widely praised for its interdisciplinary approach and trenchant analysis of an array of topics, each volume features the best scholarship in the humanities and social sciences. Cuban Studies 37 includes articles on environmental law, economics, African influence in music, irreverent humor in postrevolutionary fiction, international education flow between the United States and Cuba, and poetry, among others. Beginning with volume 34 (2003), the publication is available electronically through Project MUSE®, an award-winning online database of full-text scholarly journals. More information can be found at http://muse.jhu.edu/publishers/pitt_press/.
Shocked awake in a strange bed with no knowledge of how she got there, Isabel's abrupt introduction to alcohol and adulthood is only intensified by her consequent marriage and accompanying motherhood. Three years later, after an ultimately unsuccessful attempt to raise two young children on her own, she opts to follow her American-pilot husband to his new job in Iran, hoping that the new location will mean an end to his alcoholism and abuse. Soon, homemaking in Abadan is interrupted by a brief trip to the U.S. where Isabel must apply for Green Card renewal. She kisses her children good-bye and leaves them with her husband and nanny. On Isabel's trip back to Iran, during a layover in Frankfur...
Dream, and your dreams will fall short, Saint Josemaría Escrivá told early members of Opus Dei. This third and final volume of the most extensively researched work on the founder of Opus Dei covers his years in Rome, from 1946 until his death there in 1975. It describes how Opus Dei overcame major obstacles and blossomed from a handful of members in Spain into a worldwide institution, with more than 60,000 members of 80 nationalities. Andres Vazquez de Prada, a Spanish diplomat, writer, and historian who knew Saint Josemaría personally, narrates the story, using previously unpublished letters, diaries, and other sources from the archives of the Prelature of Opus Dei.
Includes entries for maps and atlases.
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