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In The Yearning for Relief Klaas van Walraven traces the history of the Sawaba movement in Niger and its rebellion against the French-protected regime during the 1960s. The book analyses its guerrilla campaign and failure, followed by the movement’s destruction.
Only months after France's defeat in 1940, a new army was raised in Africa to fight the Nazis. Eric T. Jennings tells the story of an improbable French military and institutional rebirth through Central Africa and gives a unique look at the role Free French Africa played during World War II.
Revolts and violence have always been features of African history but questions frequently still remain as to what and who the targets of resistance were. This volume reviews the subject of resistance in the light of current scholarly thought. Were political forms of resistance directed at the imposition or ending of colonial rule or at African elites profiting from the onset of capitalist relations of production? Or did they have purely sociological or religious roots? With contributions from historians, anthropologists and political scientists, Rethinking Resistance analyzes the concepts of resistance, violence and ideological imagination, and has chapters on uprisings and revolts in nineteenth-century pre-colonial societies and early colonial Africa, post-colonial rebellions and more recent and contemporary conflicts.
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Now in its 159th edition, The Statesman's Yearbook continues to be the reference work of choice for accurate and reliable information on every country in the world. Covering political, economic, social and cultural aspects, the Yearbook is also available online for subscribing institutions.
Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees and diasporas, culture, religion and magic as well as representations of children, music, languages and symbols. A survey of national cinemas in one volume, Directory of World Cinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveller.
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These essays are based on the author's writings since the 1980's, but they are rewritten and reconsidered here around the unifying theme of the book's title.