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Translating Fictional Dialogue for Children and Young People
Literary and multimodal texts for children and young people play an important role in their acquisition of language and literacy, and they are a flourishing part of publishing and translating activities today. This book brings together twenty-one papers on the particular aspect of the translation of feigned orality. As the link between the literary and the multimodal text, fictional dialogue is the appropriate place for evoking orality, lending authenticity and credibility to the narrated plot and giving a voice to fictitious characters. This is illustrated with examples from narrative and dramatic texts as well as films, cartoons and television series, in their respective modes of mediation: translating, interpreting, dubbing and subtitling. The findings are of interest from the scholarly point of view of contrastive linguistics, for the professional practice of translating, interpreting, dubbing and subtitling and in the educational context.
The Spoken Language in a Multimodal Context
Recently, research in the Humanities is showing an increasing interest in exactly how language and other semiotic resources support each other. The eighteen articles of this book focus on the interplay between spoken language and other modalities and address a spectrum of cross-modal resources and their functions. They also discuss how multimodal resources are exploited to increase communicative effectiveness and broaden accessibility to knowledge. This is illustrated with examples from discourse types including dramatic, literary and audiovisual texts, Facebook communication and chats, comics and audio-guides. The volume will be of interest to scholars of linguistics, translation studies, museology and education, and for readers interested in the wide array of possibilities that multimodal texts open up for meaning-making.
The Voices of Suspense and Their Translation in Thrillers
The volume aims to be a reference work for all researchers interested in the study of fictional dialogue and its translation in suspense novels and films as well as in related genres. The volume also aims to determine the interplay between the creation of suspense and fictional dialogue. The particular interest in dialogue comes from the host of roles it plays in fiction. It helps create suspense and arouses a whole range of feelings in the reader or the audience related to the development of the plot. Fictional dialogue is the discursive method of evoking orality, conferring authenticity and credibility on a plot and giving fictional characters a voice. As a narrative strategy, dialogue is ...
Linguistics
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Construir, deconstruir y reconstruir
¿Qué tienen en común la poesía en prosa, la novela infantil, el cómic, el monólogo teatral y las películas de ficción que presentamos en este libro? El denominador común es que los textos analizados pretenden evocar en la ficción la naturalidad, vivacidad y afectividad que se esperan encontrar en la conversación cara a cara; coinciden en la voluntad de crear en el lector o espectador la impresión de que los personajes están hablando como en un diálogo real y cotidiano. Este fenómeno de oralidad fingida, oralidad prefabricada o mímesis de la oralidad desempeña un papel clave en la traducción y encuentra soluciones que se estudian en el presente libro.
La oralidad fingida
Estudia la presencia de rasgos orales en textos literarios (en alemán, español e inglés) y cómo se plasman estos en función de las convenciones lingüísticas, textuales y culturales vigentes en la cultura de llegada.
Traducir la voz ficticia
In this study, the rendering of verbal expression in the translation of fictitious voices in literature is viewed in its entirety on the basis of original German and Spanish texts. Eight key works, including stories, novels, and plays from the last fifty years and their translations into other languages (English, French, Portuguese, Catalan, and Rumanian), have been examined in order to deduce the means of verbal expression and the chain of variation elements that evoke and simulate orality in written texts.
Implicación emocional y oralidad en la traducción literaria
C mo se traduce lo que dicen a viva voz los personajes de las obras literarias, y cu les son las estrategias que han utilizado los traductores de estos textos? Este libro tiene por objetivo analizar los retos de orden ling stico, estil stico, social e incluso ideol gico que plantean para la traducci n literaria los mecanismos de la oralidad fingida utilizados por autores como Petronio, Sterne, Slavici, Salinger, Pasolini, Vargas Llosa, Gary, Riera o Hastings. Se explora el entramado heterog neo de voces de los protagonistas, del narrador, e incluso del p blico ficticio, para poner de manifiesto el lugar crucial que esta heterogeneidad de voces desempe a en las construcciones narrativas e ilu...
Çeviribilimin paradigmaları III: çeviri seçkisi
Bir seçki kitap niteliğini taşıyan bu çalışma, çeviri eyleminin, geçmişten günümüze toplumları ve bireyleri birbirine yakınlaştıran ve toplumlararası etkin bir iletişimin olması gerektiği bilinci ile hazırlanmıştır. “Çeviribilimin Paradigmaları III”, Çeviribilim Paradigmaları I ve II’de olduğu gibi uluslararası bilim dünyasında gerçekleşen çeviribilimi hareketini zengin bir yelpaze içinde sunmaya devam etmektedir. Bu hedef doğrultusunda kitabımız, çeviribilimiyle ilgilenen okurlara, bu biliminin anadil dışındaki dillerde gerçekleştirilen çeviri edim ve kuramlarının, yine bu dillerde bilim ve teknoloji alanlarında ortaya çıkan bilimsel ve kuramsal yaklaşımlarını tanıtmayı amaçlar. Çeviribilim için önemli sayılan ve bu kitapta yer alan; Susanne Göpferich, Karlheinz Jakob, Wolfram Wilss, Heike Elisabeth Jüngst, Christiane Nord, Holger Siever, Mary Snell-Hornby, Carsten Sinner, Larisa Schippel, gibi kuramcıların makaleleri, alanında uzman çevirmenlerin**yanı sıra yeni kuşak çevirmenlerce* de dilimize aktarılmıştır.
