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I first met M.A Sheikh in the late nineteen seventies as my interest in music grew beyond that of mere appreciation. I was looking for people who could help in developing my taste further and on being recommended I went to visit M. A Sheikh who had an office in the basement of Radio Pakistan Lahore. With regular visits I came to know of the setting up of the Classical Music Cell and its dramatic downturn in fortune with the change of government. The Classical Music Research Cell had been shut down after martial law had been imposed in nineteen seventy seven as an unnecessary drain on the national expenditure. Since the hired premises had to be vacated the question remained as to what was to ...
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Bonnie C. Wade studies khyal and the cultural history behind the art.
A number of studies of colonial Lahore in recent years have explored such themes as the city's modernity, its cosmopolitanism and the rise of communalism which culminated in the bloodletting of 1947. This first synoptic history moves away from the prism of the Great Divide of 1947 to examine the cultural and social connections which linked colonial Lahore with North India and beyond. In contrast to portrayals of Lahore as inward looking and a world unto itself, the authors argue that imperial globalisation intensified long established exchanges of goods, people and ideas. Ian Talbot and Tahir Kamran's book is reflective of concerns arising from the global history of Empire and the new urban history of South Asia. These are addressed thematically rather than through a conventional chronological narrative, as the book uncovers previously neglected areas of Lahore's history, including the links between Lahore's and Bombay's early film industries and the impact on the 'tourist gaze' of the consumption of both text and visual representation of India in newsreels and photographs.
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The original, 11,000 kilometer journey from "From Sialkot to Vancouver", culminated on September 6, 1966. This book traces the history of Chaudhry Shakrullah Khan Bhindar and Sardar Begum Chandar of Sialkot, Pakistan whose descendants are now settled in Vancouver, Canada for over half a century.
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