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Gruesome Looking Objects
The 1898 lynching of Tom Johnson and Joe Kizer is retold in this groundbreaking book. Unlike other histories of lynching that rely on conventional historical records, this study focuses on the objects associated with the lynching, including newspaper articles, fragments of the victims' clothing, photographs, and souvenirs such as sticks from the hanging tree. This material culture approach uncovers how people tried to integrate the meaning of the lynching into their everyday lives through objects. These seemingly ordinary items are repositories for the comprehension, interpretation, and commemoration of racial violence and white supremacy. Elijah Gaddis showcases an approach to objects as materials of history and memory, insisting that we live in a world suffused with the material traces of racial violence, past and present.
Libertines
Libertines seeks to understand why public figures sometimes take extraordinary risks, sullying their good names, humiliating their families, placing themselves in legal jeopardy, and potentially destroying their political careers as they seek to gratify their sexual desires. From Hamilton to Trump and the many in between, each case of sexual misconduct in this book shows the seamy side of political lives, with calculations about covering discretions or portraying them favorably occurring only after the fact.
Stanton in Her Own Time
Among nineteenth-century women’s rights reformers, Elizabeth Cady Stanton (1815–1902) stands out for the maternal and secular advocacy that shaped her activism and public reception. A wife and mother of seven, she was also a prolific writer, transatlantic women’s rights leader, popular lecturer, congressional candidate, canny historian, and freethought champion. Her lifelong interest in women’s sexual and reproductive rights and late efforts to reform institutional religion are as relevant to our time as they were to her own. Stanton’s professional life lasted a half-century, ranging from antebellum women’s rights organization and oratory, to a post–Civil War career as a lyceum...
Out of the Shadows
Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the séance—a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and most important, influence as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic sÃ...
Picturing Political Power
"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--
America's Joan of Arc
One of the most celebrated women of her time, a spellbinding speaker dubbed the Queen of the Lyceum and America's Joan of Arc, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War and remained in the public eye for the next three decades. J. Matthew Gallman offers the first full-length biography of Dickinson to appear in over half a century. Gallman describes how Dickinson's passionate patriotism and fiery style, coupled with her unabashed abolitionism and biting critiques of antiwar Democrats--known as Copperheads--struck a nerve with her audiences. In barely two years, she rose from an unknown young Philadelphia radical, to a success...
Communication in History
Comprehensive history of communication from antiquity to the present, comprised of essential texts of communication scholarship contextualized and supported by original material. Core or supplementary text for courses in Communication History, Media History, or Introduction to Communication courses in departments of Communication, Media, History, and Cultural Studies. New materials to this edition link communication to larger historical contexts, and increase the book's coverage of digital media, social issues, and non-Western contexts. New case studies explore the Black Press, the impact of photography on journalism, gender and civil rights discourses in the media, and the effects of algorithmic data on modern social media platforms.
Ghosts of Futures Past
"Simpson, imprint in humanities"--Page opposite title page.
The Cambridge World History of Sexualities: Volume 4, Modern Sexualities
Volume IV examines the intersections of modernity and human sexuality through the forces, ideas, and events that have shaped the modern world. Through eighteen chapters, this volume examines connections between sexuality and the defining forces of modern global history including capitalism, colonialism, migration, consumerism, and war; sexuality in modern literature and print media; sexuality in dictatorships and democracies; and cultural changes such as sex education and the sexual revolution. The volume ends with discussions of the difficult issues we in the modern world continue to face, such as restrictions on reproductive rights, sex tourism, STDs and AIDS, sex trafficking, domestic violence, and illiberal attacks on sexuality.
The Cambridge History of American Modernism
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
