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22 Britannia Road
In war we sometimes lose ourselves . . . It is 1946 and Silvana and eight-year-old Aurek board a ship that will take them from Poland to England. Silvana has not seen her husband Janusz in six years, but, they are assured, he has made them a home in Ipswich. However, after living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. While Janusz, a Polish soldier who has criss-crossed Europe during the war, hopes his family will help put his own dark past behind him. But the war and the years apart will always haunt each of them unless they together confront what they were compelled to do to survive.
Creative Writing
Creative Writing is a complete writing course that will jump-start your writing and guide you through your first steps towards publication. Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers: a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways in-depth coverage of the most popular forms of writing, in extended sections on fiction, poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths a sensible, up-to-date guide to going public, ...
The Confidant
"A gripping first novel" (Le Figaro Littéraire) and an award-winning international sensation as haunting and unforgettable as Suite Française Paris, 1975. Camille sifts through letters of condolence after her mother's death when a strange, handwritten missive stops her short. At first she believes she received it by mistake. But then, a new letter arrives each week from a mysterious stranger, Louis, who seems intent on recounting the story of his first love, Annie. They were separated in the years before World War II when Annie befriended a wealthy, barren couple and fell victim to a merciless plot just as German troops arrive in Paris. But also awaiting Camille's discovery is the other side of the story, which will call into question Annie's innocence and reveal the devastating consequences of jealousy and revenge. As Camille reads on, she begins to realize that her own life may be the next chapter in this tragic story.
Tradition in Creative Writing
Tradition in Creative Writing: Finding Inspiration Through Your Roots encourages writers to rediscover sources of creativity in the everyday, showing students how to see your writing as connected to your life. Adrian May addresses a key question for many beginning writers: Where do you get your ideas from? May argues that tradition does not mean anti-progress—but is instead a kind of hidden wealth that stems from literary and historical traditions, folk and songs, self and nature, and community. By drawing on these personal and traditional wellsprings of inspiration, writers will learn to see their writing as part of a greater continuum of influences and view their work as having innate value as part of that cultural and artistic ecology. Each chapter includes accessible discussion, literary and critical readings, creative examples, and writing exercises. While the creative examples are drawn from song lyrics and poetry, the writing exercises are appropriate for all genres. Undergraduates and practitioners will benefit from this guide to finding originality in writing through exploring sources of creative inspiration.
When It's Over
Coming of age in Prague in the 1930s, Lena Kulkova is inspired by the left-wing activists who resist the rise of fascism. She meets Otto, a refugee from Hitler’s Germany, and follows him to Paris to work for the Republican side in the Spanish Civil War. As the war in Spain ends and a far greater war engulfs the continent, Lena gets stuck in Paris with no news from her Jewish family, including her beloved baby sister, left behind in Nazi-occupied Czechoslovakia. Otto, meanwhile, has fled to a village in England, and urges Lena to join him, but she can’t obtain a visa. When Lena and Otto are finally reunited, the safe haven Lena has hoped for doesn’t last long. Their relationship becomes...
The Bundle at Blackthorpe Heath
Twelve-year-old Art, with the help of a ladybug named Rufus, uncovers a fly's plot to ruin his family's traveling insect circus.
Grand Central
Ten bestselling authors inspired by New York City's iconic Grand Central Terminal have created their own stories, set on the same day, just after the end of World War II, in a time of hope, uncertainty, change, and renewal…. A war bride awaits the arrival of her GI husband at the platform…A Holocaust survivor works at the Oyster Bar, where a customer reminds him of his late mother…A Hollywood hopeful anticipates her first screen test and a chance at stardom in the Kissing Room… On any particular day, thousands upon thousands of people pass through Grand Central, through the whispering gallery, beneath the ceiling of stars, and past the information booth and its beckoning four-faced clock, to whatever destination is calling them. It is a place where people come to say hello and good-bye. And each person has a story to tell. Featuring stories from Melanie Benjamin, Jenna Blum, Amanda Hodgkinson, Pam Jenoff, Sarah Jio, Sarah McCoy, Kristina McMorris, Alyson Richman, Erika Robuck, and Karen White With an Introduction by #1 New York Times bestselling author Kristin Hannah
Creative Approaches to Social Work Practice Learning
A guide to enable social work practice educators to be more creative in the teaching, supervision and assessment of students. Practice educators, as social workers, are used to being creative and innovative in their demanding roles in practice. But often they can struggle to find the time to integrate this creativity in the teaching and learning with students. To support a student’s ability to develop their critical thinking, practice educators need to possess and demonstrate a range of different skills and knowledge around models and strategies of teaching, supervision, and assessment. This concise guide enables practice educators to be more creative in the teaching, supervision and asses...
Writing Fiction
Writing Fiction offers the novice writer engaging and creative activities, making use of insightful, relevant readings from well-known authors to illustrate the techniques presented. This volume makes use of new versions of key chapters from the recent Routledge/Open University textbook Creative Writing: A Workbook with Readings for writers who are specializing in fiction. Using their experience and expertise as teachers as well as authors, Linda Anderson and Derek Neale guide aspiring writers through such key aspects of writing as: how to stimulate creativity keeping a writer’s notebook character creation setting point of view structure showing and telling. The volume is further updated to include never-before published interviews with successful fiction writers Andrew Cowan, Stevie Davies, Maggie Gee, Andrew Greig, and Hanif Kureishi. Concise and practical, Writing Fiction offers an inspirational guide to the methods and techniques of authorship and is a must-read for aspiring writers.
Confidant
I got a letter one day, a long letter that wasn't signed. Camille reads this narration of events from pre-war France, certain that it has been sent to her by mistake. Then more letters start to arrive - They tell of a friendship struck up between a young village girl, Annie, and Madame M, a bourgeois lady. To begin with the women simply share a love of art, but when Annie offers to carry a child for her infertile friend, their lives become intimately entwined. The child is born on the eve of the German invasion of France, and the repercussions of her birth are still felt decades later. This stunning debut novel, in the vein of Irène Némirovsky's 'Suite Française', is a gripping study of the destruction unleashed, when human desires for love and motherhood turn to obsession.
