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What started of as a fun filled gathering of six friends, takes an unexpected turn. Hell let's loose on the group when the murderer who's someone from amongst them, reveals a crime in a game of confessions.
Beginning in the 1960s through its heyday in the 1970s and beyond, the telefilm remains an important cultural artefact masquerading as disposable entertainment. Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues—drugs, prostitution, sexual violence and justice—albeit in a cosy domestic envir...
The essays in this volume seek to expose the scandals of adaptation. Some of them focus on specific adaptations that have been considered scandalous because they portray characters acting in ways that give scandal, because they are thought to betray the values enshrined in the texts they adapt, because their composition or reception raises scandalous possibilities those adapted texts had repressed, or because they challenge their audiences in ways those texts had never thought to do. Others consider more general questions arising from the proposition that all adaptation is a scandalous practice that confronts audiences with provocative questions about bowdlerizing, ethics, censorship, contagion, screenwriting, and history. The collection offers a challenge to the continued marginalization of adaptations and adaptation studies and an invitation to change their position by embracing rather than downplaying their ability to scandalize the institutions they affront.
What is Anti Revisionism? "Anti Revisionism," a volume in the "Political Science" series, presents a comprehensive examination of non-revisionist Marxist thought and its significance in today's global political landscape. The book delves into ideological critiques and historical contexts that define this critical perspective. Why read "Anti Revisionism"? Understanding Anti Revisionism is essential for comprehending the dynamics of global political ideologies. This book offers deep insights into pivotal topics, making it a valuable resource for professionals, students, and enthusiasts looking to enhance their knowledge. Chapter Overviews: 1: Anti-revisionism - Foundations and principles of an...
After the Flying Saucers Came is a comprehensive account of the stories, the people, and the strange events that went into making the fascination with UFOs and aliens a worldwide phenomenon among believers, skeptics, and the simply curious. It traces how an odd sighting of "flying saucers" by an American pilot in 1947 inspired governments, the media, scientists, writers, and the general public to consider the possibility that extraterrestrials were visiting earth.
Since its inception in 1992, the Sci-Fi Channel (later rebranded as SYFY) has aired more than 500 network-produced or commissioned films. Campy and prolific, the network churned out one low-budget film after another, finally finding its zenith in the 2013 release of Sharknado. With unpretentious charm and a hearty helping of commodified nostalgia, the Sharknado franchise briefly ruled the cultural consciousness and temporarily transformed SYFY's original films from cult fringe to appointment television. Naturally, the network followed up with a steady stream of sequels and spin-offs, including Lavalantula and its sequel, 2 Lava 2 Lantula! This collection of essays is the first to devote crit...
Isaac is a second-grader who isn’t afraid to bicker with his coach, talk back to his mom, or ignore the feelings of his friends, especially when he doesn’t like their decisions or opinions! His rude, disrespectful words and actions are hurting his relationships at school and at home. All because he doesn’t know how to compromise, negotiate, or stand up for himself without tearing others down. Can a caring teacher and a loving parent help Isaac learn to disagree appropriately and accept answers and results he doesn’t like?
Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli--an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto.