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Greece on Air
'Greece on Air' offers a discussion of the fascinating history of public engagements thought via the BBC Radio, from the birth of domestic broadcasting in the 1920s up to the 1960s. The range of programmes broadcast in this period includes engagements with ideas from and about ancient Greece in twentieth-century Britain. Wrigley draws on the vast amount of evidence that exists in the written archives to develop a full understanding of the role of the radio medium in public engagements with ancient Greece in twentieth-century Britain.
Performing Greek Drama in Oxford and on Tour with the Balliol Players
"In the mid-nineteenth century, classical burlesques of Greek plays were all the rage until the great London scandal of 'The Young Men in Women's Clothes' which halted student drama for a decade. In 1880 Benjamin Jowett famously nurtured a serious performance of Aeschylus' Agamemnon at Balliol, which led to regular productions of Greek drama in the original language by the all-male Oxford University Dramatic Society (OUDS) up until 1932. Meanwhile, women students at Oxford enjoyed their own performative engagements with ancient Greece, beginning with Robert Bridges' masque Demeter at Somerville in 1904. Professional female actors such as Sybil Thorndike and Penelope Wheeler had a special con...
Louis MacNeice: The Classical Radio Plays
This volume presents 11 radio scripts written and produced by Louis MacNeice over the span of his career at the BBC. This selection, all but one of which is published for the first time, illustrates the various ways that MacNeice re-worked ancient Greek and Roman history and literature for radio broadcast.
Ancient Greece on British Television
Ancient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. Through 10 case studies drawn from television drama, theatre, animation and documentary this collection offers wide-ranging insights into the significance of ancient Greece on British television.
Screen plays
Screen plays is a ground-breaking collection that chronicles the rich and surprising history of stage plays produced for the small screen between 1930 and the present. The volume opens with a substantial historical outline of how plays originally written for the theatre have been presented by the BBC and ITV, as well as independent producers and cultural organisations. Subsequent chapters utilise a variety of critical methodologies to analyse a wide range of outside broadcasts from theatres, screen adaptations of existing stage productions, along with original television productions of classic and contemporary drama. Making a compelling case for the centrality of the theatre to British television’s past and present, Screen plays opens up new areas of research for all those engaged in theatre, media and adaptation studies.
Aristophanes in Performance, 421 BC-AD 2007
Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary es...
Radio Modernisms
This collection interrogates and stimulates deep, cross-disciplinary engagement with the various understandings and interplays of ‘radio modernisms’ from the early decades of the twentieth century through to the 1950s. Academics from a range of different disciplines explore their common interests in the richness and heterogeneity of BBC Radio’s imaginative programming – in terms of sound; as cultural events from specific moments in time; as team creations; as something experienced live in the domestic context; and as cultural works that, in many cases, attracted a certain canonical pedigree. Radio modernisms are, as these chapters demonstrate, a combination of the particular, the con...
Brill's Companion to the Reception of Aeschylus
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been revisioned and adapted over the last 2500 years, focusing both on his theatrical reception and his reception in other media and genres.
Dionysus Since 69
Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.
Remaking the Classics
This important collection of essays both contributes to the expanding field of classical reception studies and seeks to extend it. Focusing on nineteenth- and twentieth-century Britain, it looks at a range of different genres (epic, novel, lyric, tragedy, political pamphlet). Within the published texts considered, the usual range of genres dealt with elsewhere is extended by chapters on books for children, and those in which childhood and memories of childhood are informed by antiquity; and also by a multi-genre case study of a highly unusual subject, Spartacus. "Remaking the Classics" also goes beyond books to dramatic performance, and beyond the theatre to radio - a medium of enormous powe...
