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Singing by Herself
Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclo...
Singing by Herself
Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclo...
Placing Charlotte Smith
A lively and far-ranging interest in place, space, and situation characterizes the work of Romantic-era British author Charlotte Smith (1749-1806). Featuring ten original essays, an introduction and an epilogue, this volume offers new insights into Smith’s life and work by exploring two central issues: Smith’s place as a foundational writer in her period, and her contribution to the creation of “place” as a concept of social and literary importance. The contributors analyze themes such as itineracy, the natural world, and patriotism; they also explore the position of Smith’s work and authorial identity in terms of genre, aesthetics, and market dynamics. With its innovative approach to place as a material location, symbolic principle, and literary device, this volume advances our understanding of Smith’s work. Placing Charlotte Smith reveals Smith as an author who not only energizes our interest in domestic concerns, but who also shapes a global discourse constituted by changing ideas about borders, travel, national, and international identities.
Poetics of the Local
Poetics of the Local considers contemporary Irish poetry in light of transnational forces of globalization and financialization, showing how these conditions have shaped poetic innovation in Ireland from the 1960s to the present. The book is organized around different sites caught in the growing pains of a rapidly globalizing Ireland—from the "ghost estates," or housing projects abandoned after the economic boom of the 1990s, to the urban "regeneration" of Belfast after the Troubles, to the transformation of Dublin into a hub for creative economy programs like the UNESCO City of Literature. In readings of works by Thomas Kinsella, Paula Meehan, Seamus Heaney, John Montague, Ciaran Carson, Leontia Flynn, Alan Gillis, Sinéad Morrissey, and Paul Muldoon, Shirley Lau Wong argues that the enduring centrality of place in Irish poetry should be seen not as a hangover of nostalgic nationalism but rather as an exploration of the material and emplaced effects of the seemingly faraway processes of global capitalism.
On the Colors of Vowels
Treatments of synesthesia in the arts and humanities generally assume a clear distinction between the neurological condition and the literary device. Synesthetes’ descriptions of colors seen in connection with music, for example, are thought to differ fundamentally from common expressions that rely on transpositions across sensory dimensions (“bright vowels”). This has not always been the case. The distinction emerged over the course of the twentieth century, as scientists sought to constitute “synesthesia” as a legitimate object of modern science. On the Colors of Vowels investigates the ambiguity of visual descriptions of vowels across a wide range of disciplines, casting several...
The Routledge History of Loneliness
The Routledge History of Loneliness takes a multidisciplinary approach to the history of a modern emotion, exploring its form and development across cultures from the seventeenth century to the present. Bringing together thirty scholars from various disciplines, including history, anthropology, philosophy, literature and art history, the volume considers how loneliness was represented in art and literature, conceptualised by philosophers and writers and described by people in their personal narratives. It considers loneliness as a feeling so often defined in contrast to sociability and affective connections, particularly attending to loneliness in relation to the family, household and community. Acknowledging that loneliness is a relatively novel term in English, the book explores its precedents in ideas about solitude, melancholy and nostalgia, as well as how it might be considered in cross-cultural perspectives. With wide appeal to students and researchers in a variety of subjects, including the history of emotions, social sciences and literature, this volume brings a critical historical perspective to an emotion with contemporary significance.
The Poet's Mistake
Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet's Mistake -- Chapter 1. Wordsworth's Imperfect Perfect -- Chapter 2. Robert Browning's Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson's Eloquent Lies -- Chapter 5. Hart Crane's Wrapture -- Chapter 6. Fact-Checking Elizabeth Bishop -- Chapter 7. Misremembering Seamus Heaney -- Conclusion. Mistaking on Purpose -- Notes -- Works Cited -- Index.
The Pocket Instructor: Literature
The first comprehensive collection of hands-on exercises that bring active learning to the literature classroom This is the first comprehensive collection of hands-on, active learning exercises for the college literature classroom, offering ideas and inspiration for new and veteran teachers alike. These 101 surefire lesson plans present creative and interactive activities to get all your students talking and learning, from the first class to final review. Whether you are teaching majors or nonmajors, genres or periods, canonical or noncanonical literature, medieval verse or the graphic novel, this volume provides practical and flexible exercises for creating memorable learning experiences. H...
The Family Novel in Russia and England, 1800-1880
This book offers a new understanding of the relationship between family structures and narrative structure in the nineteenth-century novel. Comparing Russia and England, it argues that the two nations had fundamentally different conceptions of the family and that these, in turn, shaped the way they constructed plots. The English placed primary value on the vertical, diachronic family axis--looking back to ancestors and head to progeny--while the Russians emphasized the lateral, synchronic axis--family expanding outward in the present from nuclear core, to extended and chosen kin. This difference shaped the way authors plotted consanguineal relations, courtship and marriage, and alternative k...
Against the Uprooted Word
In this revisionist account of romantic-era poetry and language philosophy, Tristram Wolff recovers vibrant ways of thinking language and nature together. Wolff argues that well-known writers including Phillis Wheatley Peters, William Blake, William Wordsworth, and Henry David Thoreau offer a radical chronopolitics in reaction to the "uprooted word," or the formal analytic used to classify languages in progressive time according to a primitivist timeline of history and a hierarchy of civilization. Before the bad naturalisms of nineteenth-century race science could harden language into place as a metric of social difference, poets and thinkers try to soften, thicken, deepen, and dissolve it. ...
