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Américo Paredes
Américo Paredes (1915-1999) was a folklorist, scholar, and professor at the University of Texas at Austin who is widely acknowledged as one of the founding scholars of Chicano Studies. Born in Brownsville, Texas, along the southern U.S.-Mexico Border, Paredes’ early experiences impacted his writing during his later years as an academic. He grew up between two worlds—one written about in books, the other sung about in ballads and narrated in folktales. He attended a school system that emphasized conformity and Anglo values in a town whose population was 70 percent Mexican in origin. During World War II, he worked for the International American Red Cross and wrote for the Stars and Stripe...
Between Two Worlds
Between Two Worlds is a lifeÍs work in poetry by the famous folklorist, novelist and mentor of at least two generations, of Chicano scholars and writers. Between Two Worlds is a selection of ParedesÍ poetry from the 1930s and 1940sm sine if which was published in Texas newspapers. Consequently the poetry has both historical and literary merit. Paredes calls his poems ñthe scribblings of a ïproto-ChicanoÍ of a half-century ago.î He is indeed the one clear forerunner of the flourishing of Chicano literature that occurred in the last two decades; his themes, styles and political stances have all become the mainstays of todayÍs literature and world view.
Americo Paredes
A biography of the Mexican American scholar, folklorist, and poet who taught for many years at the University of Texas and wrote the 1958 book "With His Pistol in His Hand."
Américo Paredes
Several biographies of Américo Paredes have been published over the last decade, yet they generally overlook the paradoxical nature of his life’s work. Embarking on an in-depth, critical exploration of the significant body of work produced by Paredes, José E. Limón (one of Paredes’s students and now himself one of the world’s leading scholars in Mexican American studies) puts the spotlight on Paredes as a scholar/citizen who bridged multiple arenas of Mexican American cultural life during a time of intense social change and cultural renaissance. Serving as a counterpoint to hagiographic commentaries, Américo Paredes challenges and corrects prevailing readings by contemporary critic...
The Legacy of Américo Paredes
Américo Paredes (1915–99) is one of the seminal figures in Mexican American studies. With this first book-length biography of Paredes, author José R. López Morín offers fresh insight into the life and work of this influential scholar, as well as the close relationship between his experience and his thought. Morín shows how Mexican literary traditions—particularly the performance contexts of oral “literature”—shaped Paredes’s understanding of his people and his critique of Anglo scholars’ portrayal of Mexican American history, character, and cultural expressions. Although he surveys all of Paredes’s work, Morín focuses most heavily on his masterpiece, With a Pistol in Hi...
Folklore and Culture on the Texas-Mexican Border
In an illustrious career spanning over forty years, Américo Paredes has often set the standard for scholarship and writing in folklore and Chicano studies. In folklore, he has been in the vanguard of important theoretical and methodological movements. In Chicano studies, he stands as one of the premier exponents. Paredes's books are widely known and easily available, but his scholarly articles are not so familiar or accessible. To bring them to a wider readership, Richard Bauman has selected eleven essays that eloquently represent the range and excellence of Paredes's work. The hardcover edition of Folklore and Culture was published in 1993. This paperback edition will make the book more accessible to the general public and more practical for classroom use.
The Borderlands of Culture
DIVThe definitive life and work of Americo Paredes, the native South Texan poet, novelist, journalist, folklorist, ethnographer and first U.S. theorist of the border./div
George Washington Gómez
In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.
The Shadow
Antonio Cuitla has a date with destiny. But itÕs not the showdown he expects. The once fierce revolutionary now must find his way in the modern world Ð a world he helped to create by overthrowing the old social order. The subtleties of class warfare, of honor and betrayal, all seem beyond the reach of this tragic heroÕs understanding. Is AntonioÕs showdown with a would-be assassin, the cunning aristocrat Don JosŽ, or with Death itself? In this novel of taut suspense and psychological conflict, AmŽrico Paredes presents a poetic and engrossing paradox of Latin American life: The caudillo was defined by revolutionary struggle; how does he make the transition to civic life and society-building after the revolution is over? In Antonio Cuitla and the hacendado Don JosŽ Mar’a, Paredes has summarized the clashing forces that have characterized Mexican culture since the Spanish Conquest: the native versus European worldview; superstition versus rationalism; the hungry masses versus the privileged few. This confrontation is the stuff of which folk legend and song are made. Antonio Cuitla is the heroic warrior of times past. But can he survive in the modern world?
With His Pistol in His Hand
Gregorio Cortez Lira, a ranchhand of Mexican parentage, was virtually unknown until one summer day in 1901 when he and a Texas sheriff, pistols in hand, blazed away at each other after a misunderstanding. The sheriff was killed and Gregorio fled immediately, realizing that in practice there was one law for Anglo-Texans, another for Texas-Mexicans. The chase, capture, and imprisonment of Cortez are high drama that cannot easily be forgotten. Even today, in the cantinas along both sides of the Rio Grande, Mexicans sing the praises of the great "sheriff-killer" in the ballad which they call "El Corrido de Gregorio Cortez." Américo Paredes tells the story of Cortez, the man and the legend, in vivid, fascinating detail in "With His Pistol in His Hand," which also presents a unique study of a ballad in the making. Deftly woven into the story are interpretations of the Border country, its history, its people, and their folkways.
