Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Haydn, Mozart, and the Viennese School, 1740-1780
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Why Suyá Sing
"Like many other South American Indian communities, the Suya Indians of Mato Grosso, Brazil, devote a great deal of time and energy to making music, especially singing. In paperback for the first time, Anthony Seeger's Why Suya Sing considers the reasons for the importance of music for the Suya - and by extension for other groups - through an examination of myth telling, speech making, and singing in an initiation ceremony." "This new paperback edition features a CD offering examples of the myth telling, speeches, and singing discussed, as well as a new afterword that describes the continuing use of music by the Suya in their recent conflicts with cattle ranchers and soybean farmers." -- Prové de l'editor.
Concert Life in Haydn's Vienna
Concert life in Vienna between 1760 and 1810, both public and private, offered an intriguing variety of musical events, here studied through repertoire, business and financial aspects, and the position they held in Vienna's larger cultural wor ld. Also included are five extensive appendices of the concert calendars and patrons.
Empress Marie Therese and Music at the Viennese Court, 1792-1807
This is a study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Building on extensive archival research, including many documents published here for the first time, John A. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich and diverse musical culture that she fostered at court. This book, which will be of interest to musicologists, historians of artistic patronage and taste, and practitioners of women's studies, elucidates this remarkable woman's relations with a host of professional musicians, including Haydn, and argues that she played a significant and hitherto unsuspected role in the inception of one of the era's greatest masterpieces, Beethoven's Fidelio. Other composers discussed include Domenico Cimarosa, Joseph Eybler, Michael Haydn, Johann Simon Mayr, Ferdinando Paer, Antonio Salieri, Joseph Weigl and Paul Wranitzky.
Remapping Sound Studies
The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam
