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After Life
Dreams and fantasies of immorality date back to the first human being who was expelled from the Garden of Eden and fell into time, as Augustine recounts. Falling into time, into mortality, living with the consciousness of death and the decline of the body, bear a terrifying—and yet for some pacifying—burden that comes with the weight of being human. Today, with the advancement of technology, accompanied by the emergence of trends such as posthumanism and transhumanism, the idea of overcoming death is presented as no longer a mere fantasy, but a legitimate discursive stance. While death is often seen as the Muse of philosophy, what would it mean (philosophically and psychically) to live in a world where death is no longer necessary? After Life: Recent Philosophy and Death is a collection of 11 essays addressing the place of death and its denial from a philosophical, psychoanalytic and literary perspectives. This collection offers contemporary and fresh insights on these timely questions. It was originally published as a special issue of Angelaki.
Intersections between Jewish Studies and Habsburg Studies
In the aftermath of the Shoah and the ostensible triumph of nationalism, it became common in historiography to relegate Jews to the position of the “eternal other” in a series of binaries: Christian/Jewish, Gentile/Jewish, European/Jewish, non-Jewish/Jewish, and so forth. For the longest time, these binaries remained characteristic of Jewish historiography, including in the Central European context. Assuming instead, as the more recent approaches in Habsburg studies do, that pluriculturalism was the basis of common experience in formerly Habsburg Central Europe, and accepting that no single “majority culture” existed, but rather hegemonies were imposed in certain contexts, then the o...
Disseminating Jewish Literatures
The multilingualism and polyphony of Jewish literary writing across the globe demands a collaborative, comparative, and interdisciplinary investigation into questions regarding methods of researching and teaching literatures. Disseminating Jewish Literatures compiles case studies that represent a broad range of epistemological and textual approaches to the curricula and research programs of literature departments in Europe, Israel, and the United States. In doing so, it promotes the integration of Jewish literatures into national philologies and the implementation of comparative, transnational approaches to the reading, teaching, and researching of literatures. Instead of a dichotomizing app...
Revolution als Schauspiel
Keine ausführliche Beschreibung für "Revolution als Schauspiel" verfügbar.
Shadow Lines
Intellectual culture in early twentieth-century Austria reached levels of originality and excellence that have rarely been equalled before or since. Shadow Lines examines works by major novelists, dramatists, poets, and intellectuals of that extraordinary era-among them, Sigmund Freud, Arthur Schnitzler, Robert Musil, Hugo von Hofmannsthal, Rainer Maria Rilke, Ludwig Wittgenstein, and Franz Kafka. Lorna Martens considers how each of these authors contributed to a decisive transformation in Austrian culture, involving a shift away from the dialectical syntheses of much nineteenth-century German thought and culture to potent, unresolvable dualisms of known and unknown-orderly and chaotic-featu...
The Event of Style in Literature
The Event of Style in Literature brings discussions about the question of style up-to-date by schematising the principal issues relating to the topic through a critical overview of the canon of style studies. It reads the work of Jacques Derrida, Maurice Blanchot, and Hans-Georg Gadamer as groundbreaking and 'eventful' interventions.
Paul Celan Today
Marking Paul Celan's 100th birthday and the 50th anniversary of his death, this volume endeavours to answer the following question: why does Celan still matter today – more than ever perhaps? And why should he continue to matter tomorrow? In other words, the volume explores and assesses the enduring significance of Celan's life and œuvre in and for the 21st century. Boasting cutting-edge research by international scholars together with original contributions by contemporary artists and writers, this book attests to, on the one hand, the extent to which large swathes of contemporary philosophy, poetics, literary scholarship, and aesthetics have been indebted to Celan's legacy and are simply unthinkable without it, and, on the other hand, to the malleability, adaptability, breadth and depth of Celan's poetics, which, like the music of The Beatles, Led Zeppelin, or Queen, is reborn and rediscovered with every new generation.
Trans, multi, interculturalité, trans, multi, interdiscipli.
Entre le transculturel et le transdisciplinaire, comme entre le multidisciplinaire ou l'interculturel et l'interdisciplinaire, des convergences concernant la science, la société et l'esthétique se tissent. Afin d'établir des assises théoriques qui soutiennent et stimulent les échanges entre chercheurs, les auteurs conceptualisent les termes de trans, de multi et d'inter. Dans l'inter, on protège les limites conceptuelles et on impose l'homogène propre au nationalisme méthodologique qui conçoit ou expérimente la société et ses problématiques en fonction de la vision territoriale des Etats. Par le multi, on saisit les accommodements à partir de la flexité de départ. Par le trans, on échappe aux origines pour explorer les relations et les réseaux. Ainsi, de l'inter, au trans, en passant par le multi, on explore divers corpus esthétiques, médiatiques et scientifiques pour saisir les enjeux de la société des savoirs.
Heine-Jahrbuch 2009
Aktuelle Forschungen zu Heine. Die Beiträge analysieren Heines Kontrastästhetik, seine geschichtskritische Konstruktion der Schrift und sein Verhältnis zur aufklärerischen Utopie. Weitere Themen sind Schuberts Heimkehr -Vertonungen und der i ka-Stoff im Vormärz. Mit den Ansprachen zur Verleihung des Heine-Preises 2008.
Geschichte der literarischen Vortragskunst
Literarische Vortragskunst entstand in Deutschland in der zweiten Hälfte des 18. Jahrhunderts als ein von Schauspiel und anderen Vortragsgattungen (Rede, Predigt, Vorlesung etc.) unterschiedenes Sprachspiel des Vorlesens, Rezitierens und Deklamierens von Gedichten, Erzählungen und Dramen. Die vorliegende Untersuchung ist die erste umfassende Geschichte dieser Vortragskunst von Klopstock bis zu Kling, ja bis zum Poetry-Slam. Sie konzentriert sich auf die verschiedenen Akteure (Autoren, professionelle Rezitatoren, Deutschlehrer, Sprecherzieher und Laien) sowie auf deren Vortragsformate und Zuhörer im Kontext der Veränderung vortragsästhetischer Normen und mediengeschichtlicher Innovationen. Mit Rückgriff auf Einsichten der Medienwissenschaft, Performance-Analyse und Stimmforschung entwickelt sie einen analytischen Ansatz, um Vortragsformate und Vortragsweisen in ihrer Historizität zu beschreiben.
