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Fellow Men
Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics ov...
Death of a Suburban Dream
Compton, California, is often associated in the public mind with urban America's toughest problems, including economic disinvestment, gang violence, and failing public schools. Before it became synonymous with inner-city decay, however, Compton's affordability, proximity to manufacturing jobs, and location ten miles outside downtown Los Angeles made it attractive to aspiring suburbanites seeking single-family homes and quality schools. As Compton faced challenges in the twentieth century, and as the majority population shifted from white to African American and then to Latino, the battle for control over the school district became symbolic of Compton's economic, social, and political crises....
The Nassau Herald
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Portraiture and Politics in Revolutionary France
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
The Story of Christian Buhl and His Descendants
Christian Buhl (1776-1864), a son of Johannes Buhl, was born in Germany. He married Fredericka Dorothea Goehring (1778-1868) in 1804. They had eleven children. Many descendants live in Ohio and Pennsylvania.
Amy's Diary
Set during the Second World War in Liverpool, this is a wonderful Maureen Lee tale - written specially for the World Book Day Quick Reads promotion. On 3 September 1939, Amy Browning decided to start writing a diary. It was a momentous day for so many reasons: it was Amy's eighteenth birthday; her sister had just given birth to a baby boy; and on the radio it was announced that Great Britain was now at war with Germany. For a while, life didn't change very much for Amy. Living with her family in Opal Street, Liverpool, Amy and her friend both got jobs at a factory and spent their free time looking round the shops, or watching the ships being loaded at the docks. But as the months went by, things began to change. The bombing started, and Amy's fears grew for her brother, fighting in France, and her boyfriend Ian, in the RAF...
