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Spiritualists in the nineteenth century spoke of the "Borderland," a shadowy threshold where the living communed with the dead, and where those in the material realm could receive comfort or advice from another world. The skilled performances of mostly female actors and performers made the "Borderland" a theatre, of sorts, in which dramas of revelation and recognition were produced in the forms of seances, trances, and spiritualist lectures. This book examines some of the most fascinating American and British actresses of the Victorian era, whose performances fairly mesmerized their audiences of amused skeptics and ardent believers. It also focuses on the transformative possibilities of the spiritualist theatre, revealing how the performances allowed Victorian women to speak, act, and create outside the boundaries of their restricted social and psychological roles.
This groundbreaking volume features expert contributions from across the globe by both management scholars and business leaders. Divided into three main parts _ Extreme Expedition Leaders, Extreme Work Teams and Extreme Individual Leaders _ the book ex
Many women have chosen to speak out for their rights and the rights of others, including such famous female activists as Rosa Parks, Dolores Huerta, and Ellen Johnson Sirleaf. Often, these women have spoken out despite the fact that they faced time in jail, injury, or even death. This text introduces readers to female activists and their work and suggests way readers can help to fight against violence against women and for equal political and economic rights. A glossary, list of organizations activism, and additional avenues of research are included to guide readers as they explore this important topic.
Spiritualism in the Age of Sherlock Holmes and Edgar Allan Poe A woman wearing a black veil convenes a séance. A magician puts a volunteer into a trance. A fortune-teller leans over a crystal ball. Everyone knows what Victorian mysticism looks like because our modern imagery, language, and practice of magic borrows heavily from the Victorians. But we have little understanding of its spiritual, cultural, and historical foundations. What made the Victorians turn to mediumship, hypnotism, and fortune-telling? What were they afraid of? What were they seeking? This book explores the history of automatic writing, cartomancy, clairvoyance, and more. It reveals how Victorian belief in ghosts, fairies, and nature spirits shaped our celebrations of Halloween and Christmas. With historic examples and hands-on exercises, you will discover how spiritualism in the time of Jack the Ripper, Jane Eyre, "A Christmas Carol," and Dracula left such a profound impact on both the past and present.
Examining the automatic writing of the spiritualist séances, discursive technologies like the telegraph and the photograph, various genres and late nineteenth-century mental science, this book shows the failure of writers' attempts to use technology as a way of translating the supernatural at the fin de siècle. Hilary Grimes shows that both new technology and explorations into the ghostly aspects of the mind made agency problematic. When notions of agency are suspended, Grimes argues, authorship itself becomes uncanny. Grimes's study is distinct in both recognizing and crossing strict boundaries to suggest that Gothic literature itself resists categorization, not only between literary peri...
This handy resource illustrates 36 chords in each key with the most commonly used fingerings, along with chord theory such as intervals, chord structure, building chords and the circle of fifths. With the CD, which includes listening examples for all the chords and styles found in the book, examples of how to play different chords come to life in a variety of styles, such as bluegrass, blues, country, funk, heavy metal, jazz, R & B, reggae, rock, and rockabilly.
Support and inspiration are provided to teens interested in taking action on womens issues. The author reports on activists who have helped womens causes in amazing ways, and provides a wide variety of ideas and resources for teens wanting to make a difference. Chapters highlight a host of areas where help is needed, including fighting harmful media images of women, combating violence against women, improving womens health worldwide, and advancing womens political and economic status.
From the famous deathbed scene of Harriet Beecher Stowe's Little Eva to Mark Twain's parodically morbid poetess Emmeline Grangerford, a preoccupation with human finitude informs the texture of nineteenth-century US writing. This collection traces the vicissitudes of this cultural preoccupation with the subject of death and examines how mortality served paradoxically as a site on which identity and subjectivity were productively rethought. Contributors from North America and the United Kingdom, representing the fields of literature, theatre history, and American studies, analyze the sexual, social, and epistemological boundaries implicit in nineteenth-century America's obsession with death, while also seeking to give a voice to the strategies by which these boundaries were interrogated and displaced. Topics include race- and gender-based investigations into the textual representation of death, imaginative constructions and re-constructions of social practice with regard to loss and memorialisation, and literary re-conceptualisations of death forced by personal and national trauma.