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Re-Reading Tragic Africa
Grounded in world-systemic analysis, this book revisits the literary and social implications of ‘tragedy’ in relation to global narratives about Africa and within fiction by writers from the continent. It argues that working through the full complexity of ‘tragedy’ helps to identify and challenge plots that depict Africa as reaching a tragic impasse. Instead, reconsidering tragedy allows for further, related interventions including the implications of narratives of development, the argument for formally engaging with literary texts that present challenging material, reformulations of African political and cultural agency, and the possibilities to be found in utopian thinking. It claims that contemporary fiction helps to scrutinise the familiar big picture of Africa and create space for discussions about wider political and historical commonalities between the continent and the rest of the world. As such, the novels discussed in this study are not simply ‘about’ Africa: these fictionalnarratives position Africa as a central actor within the global history of late capitalism.
Boundbrook
Reprint of the original, first published in 1873.
Manga and Murder
From USA Today bestselling author Leslie Langtry comes a comic book convention turned crime scene! Welcome to Druid-Con! It’s Who’s There, Iowa’s first Druid-Con, a comic book themed convention organized by the teens of The Cult of Nicoderm (a group of four local teens who’ve taken the idea of extracurricular activities a bit too far). Ex-CIA agent turned suburban Girl Scout troop leader Merry Wrath doesn’t know how she was talked into making an appearance at the con as a giant beetle, but once she finds out that her favorite TV horror show host Deliria is going to be there, things are looking up! Meet Beetle Dork & Deliria… Always ready to take advantage of any opportunity, the ...
Lives Lived, Lives Imagined
Perceptive, controversial, topical, and achingly funny, Miriam Toews’s books have earned her a place at the forefront of Canadian literature. In this first monograph on Toews’s work, Sabrina Reed examines the interplay of trauma and resilience in the author’s fiction. Reed skillfully demonstrates how Toews situates resilience across key themes, including: the home as both a source of trauma and an inspiration for resilient action; the road trip as a search for resolution and redemption; and the reframing of the Mennonite diaspora as an escape from patriarchal oppression. The deaths by suicide of Toews’s father and sister stand out as the most shocking and tragic of the author’s bio...
Publishers' Weekly
None
World Literature, Neoliberalism, and the Culture of Discontent
This book explains neoliberalism as a phenomenon of the capitalist world-system. Many writers focus on the cultural or ideological symptoms of neoliberalism only when they are experienced in Europe and America. This collection seeks to restore globalized capitalism as the primary object of critique and to distinguish between neoliberal ideology and processes of neoliberalization. It explores the ways in which cultural studies can teach us about aspects of neoliberalism that economics and political journalism cannot or have not: the particular affects, subjectivities, bodily dispositions, socio-ecological relations, genres, forms of understanding, and modes of political resistance that register neoliberalism. Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.
Afropolitan Literature as World Literature
African literature has never been more visible than it is today. Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong'o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works. But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa's place in the world that they offer? How does it differ from that of previous generations? Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media a...
