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Antichrist
Written and directed by Lars von Trier, one of the most influential and provocative filmmakers working today, Antichrist (2009), tells a story of parental loss, mourning and despair that result from the tragic death of a child. When the film screened at the 2009 Cannes Film Festival, it split audiences down the middle. Some attacked von Trier for misogyny (amongst other things), while others defended him for creating a daring and poetic portrait of grief and separation. Dense, shocking, and thought-provoking, Antichrist is a film which calls for careful analysis and in her Devil's Advocate on the film Amy Simmons follows an account of the film's making with an in-depth consideration of the themes and issues arising from it -- the ambiguous depiction of the natural world, the shifting gender power relations, its reflections on Christianity and the limitations of rationality. Ata the film's heart, says the author, is a heartbreaking depiction of grief-stricken parents, a confounding interplay between psychology and psychosis, misogyny and empowerment.
Universality and the Liar
This book is about one of the most baffling of all paradoxes--the famous Liar paradox. Suppose we say: "We are lying now." Then if we are lying, we are telling the truth; and if we are telling the truth we are lying. This paradox is more than an intriguing puzzle, since it involves the concept of truth. Thus any coherent theory of truth must deal with the Liar. Keith Simmons discusses the solutions proposed by medieval philosophers and offers his own solutions and in the process assesses other contemporary attempts to solve the paradox. Unlike such attempts, Simmons' "singularity" solution does not abandon classical semantics and does not appeal to the kind of hierarchical view found in Barwise's and Etchemendy's The Liar. Moreover, Simmons' solution resolves the vexing problem of semantic universality--the problem of whether there are semantic concepts beyond the expressive reach of a natural language such as English.
This I Believe
Inspiring essays on love shared by men, women, and young people from all walks of life In the 1950's, Edward R. Murrow's radio program, This I Believe, gave voice to the feelings and treasured beliefs of Americans around the country. Fifty years later, the popular update of the series, which now continues on Bob Edwards Weekend on public radio, explores the beliefs that people hold dear today. This book brings together essays on love from ordinary people far and wide whose sentiments and stories will surprise, inspire, and move you. Includes extraordinary essays written by "ordinary" Americans on love in its many manifestations-from romantic love and love of family to love of place and love of animals Paints a compelling portrait of the diverse range of beliefs and experiences related to what is perhaps the most powerful and complex of human emotions-love Based on the popular This I Believe radio series and thisibelieve.org Web site By turns funny and profound, yet always engaging, This I Believe: On Love is a perfect gift to give or to keep.
M
Fritz Lang’s first sound feature, M (1931), is one of the earliest serial killer films in cinema history and laid the foundation for future horror movies and thrillers, particularly those with a disturbed killer as protagonist. Peter Lorre’s child killer, Hans Beckert, is presented as monstrous, yet sympathetic, building on themes presented in the earlier German Expressionist horror films like The Cabinet of Dr. Caligari and The Hands of Orlac. Lang eerily foreshadowed the rising fascist horrors in German society, and transforms his cinematic Berlin into a place of urban terror and paranoia. Samm Deighan explores the way Lang uses horror and thriller tropes in M, particularly in terms of how it functions as a bridge between German Expressionism and Hollywood’s growing fixation on sympathetic killers in the ‘40s. The book also examines how Lang made use of developments within in forensic science and the criminal justice system to portray a somewhat realistic serial killer on screen for the first time, at once capturing how society in the ‘30s and ‘40s viewed such individuals and their crimes and shaping how they would be portrayed on screen in the horror films to come.
Interfaith Dialogue
This book addresses issues central to today’s Catholic Church, focusing on the relationship between various religions in different contexts and regions across the world. The diverse array of contributors present an inclusively interfaith enterprise, investigating a wide range of encounters and perspectives. The essays include approaches from the Jewish, Muslim, Buddhist, and Bahá’í traditions, in a variety of geographic contexts. Contributors reflect on Muslims in the West, Christian-Buddhist social activism, and on Chinese, Indian, and Japanese religions. The volume also explores the experiences of communities that are often marginalized and overlooked such as the Aborigines and Torre...
Queering Vocal Pedagogy
Queering Vocal Pedagogy presents a new vision of gender-affirming vocal music education and richly explores the experiences, perspectives, and vocal training of trans(gender) and genderqueer singers. This groundbreaking text weaves together singers’ narratives with the practices and pedagogies of their teachers to provide a model for training gender expansive vocalists. William Sauerland promotes a two-fold action: first, cultivating gender-affirming practices for teaching trans and genderqueer singers, and second, disentangling vocal pedagogy from practices and traditions that have historically promoted cisgender narratives. Through case studies representing various identities within the ...
Swimming with Ghosts
From the acclaimed author of Washing the Dead and Bertrand Court comes a satirical and chilling, yet deeply-sensitive, tale that captures the ethos and ruin of children’s competitive swimming, where parents must face the haunting spirits of their own tumultuous upbringings or risk losing their way and—in turn—themselves. It’s June 2012. The magical and slightly cultish River Run swim club is alive with the spirit of fun competition when a perfect storm brews between team moms and best friends, Gillian Cloud and Kristy Weinstein. The ghost of family addiction has turned up, looming over their carefully planned pasta parties, tie-dye nights, and pep rallies, forcing them to face their ...
Blood and Black Lace
Mario Bava’s Blood and Black Lace (1964) is commonly considered the archetypal giallo. This book examines its main narrative and stylistic aspects, including the groundbreaking prominence of violence and sadism and its use of color and lighting, as well as Bava’s irreverent approach to genre and handling of the audience’s expectations.
