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Antichrist
Written and directed by Lars von Trier, one of the most influential and provocative filmmakers working today, Antichrist (2009), tells a story of parental loss, mourning and despair that result from the tragic death of a child. When the film screened at the 2009 Cannes Film Festival, it split audiences down the middle. Some attacked von Trier for misogyny (amongst other things), while others defended him for creating a daring and poetic portrait of grief and separation. Dense, shocking, and thought-provoking, Antichrist is a film which calls for careful analysis and in her Devil's Advocate on the film Amy Simmons follows an account of the film's making with an in-depth consideration of the themes and issues arising from it -- the ambiguous depiction of the natural world, the shifting gender power relations, its reflections on Christianity and the limitations of rationality. Ata the film's heart, says the author, is a heartbreaking depiction of grief-stricken parents, a confounding interplay between psychology and psychosis, misogyny and empowerment.
The Devils
Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.
This I Believe
Inspiring essays on love shared by men, women, and young people from all walks of life In the 1950's, Edward R. Murrow's radio program, This I Believe, gave voice to the feelings and treasured beliefs of Americans around the country. Fifty years later, the popular update of the series, which now continues on Bob Edwards Weekend on public radio, explores the beliefs that people hold dear today. This book brings together essays on love from ordinary people far and wide whose sentiments and stories will surprise, inspire, and move you. Includes extraordinary essays written by "ordinary" Americans on love in its many manifestations-from romantic love and love of family to love of place and love of animals Paints a compelling portrait of the diverse range of beliefs and experiences related to what is perhaps the most powerful and complex of human emotions-love Based on the popular This I Believe radio series and thisibelieve.org Web site By turns funny and profound, yet always engaging, This I Believe: On Love is a perfect gift to give or to keep.
M
Fritz Lang’s first sound feature, M (1931), is one of the earliest serial killer films in cinema history and laid the foundation for future horror movies and thrillers, particularly those with a disturbed killer as protagonist. Peter Lorre’s child killer, Hans Beckert, is presented as monstrous, yet sympathetic, building on themes presented in the earlier German Expressionist horror films like The Cabinet of Dr. Caligari and The Hands of Orlac. Lang eerily foreshadowed the rising fascist horrors in German society, and transforms his cinematic Berlin into a place of urban terror and paranoia. Samm Deighan explores the way Lang uses horror and thriller tropes in M, particularly in terms of how it functions as a bridge between German Expressionism and Hollywood’s growing fixation on sympathetic killers in the ‘40s. The book also examines how Lang made use of developments within in forensic science and the criminal justice system to portray a somewhat realistic serial killer on screen for the first time, at once capturing how society in the ‘30s and ‘40s viewed such individuals and their crimes and shaping how they would be portrayed on screen in the horror films to come.
A Rancher's Honor
One Night With A Cowboy There's no room in day-care owner Lana Carpenter's life for casual flings. After all, her dream of adopting a baby is closer to becoming a reality than ever. So why is she still mooning over the sexy cowboy who made her forget everything but the strong, sure feel of his arms around her? It wasn't supposed to be more than one unforgettable night between consenting strangers. But when Sly Pettit spots Lana's photo in the local paper, he grabs at the chance to see her again. The guarded rancher is falling hard for Lana, but it can only end in heartbreak. Unless Sly can trust her with the secrets that keep him from believing that, just maybe, they could have a future together.
The Light Bringer
When this cop is on duty, his brass only carries weight where Lightness and Darkness are concerned . . .
From the Stage to the Studio
An expanded, updated, and improved second edition of an essential book for aspiring teacher-musicians. Whether serving on the faculty at a university, maintaining a class of private students, or fulfilling an invitation as guest artist in a master class series, virtually all musicians will teach during their careers. From the Stage to the Studio speaks directly to the performing musician, highlighting the significant advantages of becoming distinguished both as a performer and a pedagogue. Drawing on over sixty years of combined experience, authors Cornelia Watkins and Laurie Scott provide the guidance and information necessary for any musician to translate their individual approach into pro...
Daughters of Darkness
Harry Kümel's cult classic Daughters of Darkness (1971) is a vampire film like no other. Kat Ellinger explores the film's association with fairy tales, the Gothic and fantastic tradition, as well as delving into aspects of the legend of Countess Bathory, traditional vampire lore, and much more. The book also contains new and exclusive interviews.
Shivers
Shivers (1975) was David Cronenberg’s first commercial feature and his first horror film. Luke Aspell’s analysis addresses shot composition, lighting, cinematographic texture, sound, the use of stock music, editing, costume, make-up, optical work, the screenplay, the casting, and the direction of the actors.
