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A Philosophy of Computer Art
What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? A Philosophy of Computer Art is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a wealth of examples he also explains how the roles of the computer artist and computer art user distinguishes them from makers and spectators of traditional art forms and argues that computer art allows us to understand better the role of technology as an art medium.
Wanted, More than Human Intellectual Property
This book analyses animal creativity in order to unsettle the dominant assumptions that underpin current ideas of authorship and ownership in intellectual property. Drawing upon theories of animal behaviour and cognitive ethology, the book exposes and disrupts the anthropocentrism that informs prevailing assumptions about creativity, intentionality, and authorship within the field of intellectual property, towards a new theory of authorship and personhood through play and the playful. Moving on to challenge the invocation of a more general human-nonhuman distinction in this context, the book also engages the challenge to this distinction posed by artificial intelligence. Incorporating critic...
Fluxus Administration
"George Maciunas is typically associated with the famous art collective Fluxus, of which he is often thought to have been the leader. In this book, critic and art historian Colby Chamberlain wants us to question two things: first, the idea that Fluxus was a "group" in any conventional sense, and second, that Maciunas was its "leader." Instead, Chamberlain shows us how Maciunas used the paper materials of bureaucracy in his art-cards, certificates, charts, files, and plans, among others-to subvert his own status as a "figurehead" of this collective and even as a biographical entity. Each of the book's chapters situates Maciunas's artistic practice in relation to a different domain: education,...
Nonstop Metropolis
Nonstop Metropolis,Êthe culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of expertsÑfrom linguists to music historians, ethnographers, urbanists, and environmental journalistsÑamplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through ManhattanÕs playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely desig...
Grave History
Grave sites not only offer the contemporary viewer the physical markers of those remembered but also a wealth of information about the era in which the cemeteries were created. These markers hold keys to our historical past and allow an entry point of interrogation about who is represented, as well as how and why. Grave History is the first volume to use southern cemeteries to interrogate and analyze southern society and the construction of racial and gendered hierarchies from the antebellum period through the dismantling of Jim Crow. Through an analysis of cemeteries throughout the South—including Alabama, Florida, Georgia, Kentucky, Maryland, Missouri, and Virginia, from the nineteenth t...
Faith in Their Own Color
Craig D. Townsend tells the remarkable story of St. Philip's, the first African American Episcopal church in New York City, and its struggle for autonomy and independence.
DEMOCRACY SOUP
This book presents 51 black and white reproductions from a series of ink drawings on vellum that the artist began in 2015. A preface by Eric Sutphin accompanies the reproductions, as well as a conversation between Ben-Ari and Sutphin about this body of work. This series of works is based on imagery which originates in the visual world of politics and campaigns, through the lens of news media. Ben-Ari selects images of presidential candidates, hand gestures, televised debate backdrops, U.S. electoral maps, and official White House press material, using them as a starting point for his drawings. Vellum is a surface that inherently resists the act of mark making, repelling the ink in such a way that creates unpredictable textures and patterns. In using this technique, Ben-Ari is able to insert an element of randomness into the process of production. As the ink is applied, the figurative elements often become less legible and increasingly abstract.
Control of Subversive Activities
Considers (80) H.R. 5852.
Auburn's Fort Hill Cemetery
The distinctive dome-shaped hills scattered throughout Fort Hill Cemetery were formed ten thousand years ago when receding glaciers deposited debris in piles. Centuries later, these dunes are covered with topsoil that supports the growth of trees and foliage. The result is an atmosphere reverberant with magic. This ambiance was felt by the area's many settlers, from the ancient culture of Mound Builders to the the Cayuga nation of the Iroquois Confederacy and even the descendants of the European settlers who pushed out the Cayugas and decided to use the land as a cemetery, to preserve its wild and majestic beauty. Judge Elijah Miller, William H. Seward's father-in-law, was instrumental in ma...
East and West Southern Pines
This original work illustrates the storied history of Southern Pines, focusing specifically on the merging of the East and West sides. West Southern Pines, whose population was comprised entirely of African Americans, became one of the first chartered towns governed by and for a minority in 1923. However, in 1931, the dominantly white East side, a resort community, annexed the West. Using a myriad of historical photographs, authors Sara Lindau and Pamela M. Blue share the story of how the two sides of Southern Pines endured a tumultuous period of unification. The images allow the reader to take a step back in history and witness the everyday lives of both the white population and the black residents of the area, who made a living catering to the privileged vacationers and celebrities.
