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Treatise on Love of God
A newly discovered treatise by a major European writer
Spanish Modernism and the Poetics of Youth
In Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to La Joven Literatura, Leslie J. Harkema analyzes the literature of the modernist period in Spain in light of the emergence of youth culture in the late nineteenth and early twentieth century. Harkema argues for the prominent role played by Miguel de Unamuno--as a poet, essayist, and public figure--in Spanish writers' response to this phenomenon. She demonstrates how early twentieth-century Spanish literature participated in the glorification of adolescence and questioning of Bildung seen elsewhere in European modernism, in ways that were not only aesthetic but also political. Harkema critically re-examines the relationship between Unamuno and several Spanish writers associated with the so-called Generation of 1927 (known as at the time as "la joven literatura" or "the young literature"). By situating this period within the wider framework of European modernism, Spanish Modernism and the Poetics of Youth brings to light the central role that the early twentieth century's re-imagining of adolescence and youth played in the development of literary modernism in Spain.
Imagen y Palabra
Imagen y palabra: En torno a "El Cristo de Velázquez" es un análisis estilístico e interpretativo del Poema cristológico de Miguel de Unamuno. El poema está inspirado en el famoso cuadro del pintor español Diego Velázquez. Unamuno comienza a componer estos poemas poco después de haber publicado su magna obra, "Del sentimiento trágico de la vida" (1913). En el poemario el Rector expone todos sus pensamientos y pensamientos en torno a la figura de Cristo. Es un poemario con profundas raíces bíblicas. A través de cada poema, escrito en clásicos endecasílabos, el poeta refleja su profunda fe en el Cristo Crucificado. Junto a su obra póstuma, "Diario intimo", esta obra poética no deja lugar a duda de que el conflictivo don Miguel murió creyente. Se encuentra aquí, pues, el "Unamuno contemplativo" frente al "Unamuno agónico" de los críticos. Eliezer Oyola hace un examen minucioso de cada poema, notando las alusiones bíblicas, literarias, históricas y mitológicas.
Unamuno's Theory of the Novel
Miguel de Unamuno (1864-1936) is widely regarded as Spain's greatest and most controversial writer of the first half of the twentieth century. Professor of Greek, and later Rector, at the University of Salamanca, and a figure with a noted public profile in his day, he wrote a large number of philosophical, political and philological essays, as well as poems, plays and short stories, but it is his highly idiosyncratic novels, for which he coined the word nivola, that have attracted the greatest critical attention. Niebla (Mist, 1914) has become one of the most studied works of Spanish literature, such is the enduring fascination which it has provoked. In this study, C. A. Longhurst, a distinguished Unamuno scholar, sets out to show that behind Unamuno's fictional experiments there lies a coherent and quasi-philosophical concept of the novelesque genre and indeed of writing itself. Ideas about freedom, identity, finality, mutuality and community are closely intertwined with ideas on writing and reading and give rise to a new and highly personal way of conceiving fiction.
Miguel de Unamuno
First anthology dedicated solely to Unamuno’s poetry in 25 years, with commentary on each poem
Jesus of Nazareth in the Literature of Unamuno
This books resolutely confronts key questions in Christianity and in Unamuno’s interpretation of it by covering important works read by Unamuno and major works written by him. This book takes into account both Unamuno’s discursive essays and his literary works, and so emphasising the poetic—as distinct from discursive—value of the story of Jesus. This book also includes English translations of original Spanish passages.
Life Embodied
The concept of vital force – the immanent energy that promotes the processes of life in the body and in nature – has proved a source of endless fascination and controversy. Indeed, the question of what vitalizes the body has haunted humanity since antiquity, and became even more pressing during the Scientific Revolution and beyond. Examining the complexities and theories about vital force in Spanish modernity, Nicolás Fernández-Medina's Life Embodied offers a novel and provocative assessment of the question of bodily life in Spain. Starting with Juan de Cabriada's landmark Carta filosófica, médico-chymica of 1687 and ending with Ramón Gómez de la Serna's avant-gardism of the 1910s,...
Miguel de Unamuno
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